On June 9, 2011, the song "More Than Muscle" was released by Luke Temple. With this song being around four minutes long, at 4:11, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 2 out of 9 in Don't Act Like You Don't Care by Luke Temple. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, More Than Muscle is currently below average in popularity. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of More Than Muscle by Luke Temple is Andante (at a walking pace), since this song has a tempo of 96 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Real World | Drugdealer, Sheer Agony | D Major | 4 | 10B | 118 BPM | ||
| Wounded Brightness | Luke Temple | E Minor | 2 | 9A | 142 BPM | ||
| Eye on You | Sugar Candy Mountain | C Major | 8 | 8B | 111 BPM | ||
| Where You Stop for a Minute | Cotton Jones | B Major | 6 | 1B | 88 BPM | ||
| Leave You | Midnight Sister | F Major | 7 | 7B | 82 BPM | ||
| The Atlantic Ocean | Richard Swift | D Major | 7 | 10B | 170 BPM | ||
| All Around and Away We Go | Mr Twin Sister | A Major | 6 | 11B | 101 BPM | ||
| Mirror Ball | The Crayon Fields | B♭ Major | 6 | 6B | 118 BPM | ||
| To the Boys | Molly Burch | E Minor | 4 | 9A | 151 BPM | ||
| Angel Blood | Cass McCombs | G Major | 4 | 9B | 123 BPM | ||
| Viaje Astral | Dumbo Gets Mad, Venice | E Minor | 6 | 9A | 107 BPM | ||
| Bop Bop | Mean Lady | G Major | 4 | 9B | 80 BPM | ||
| The Morning of Our Lives | Jonathan Richman & The Modern Lovers | A Major | 8 | 11B | 138 BPM | ||
| Looking Back, I Should Have Been Home More | Richard Swift | C Major | 4 | 8B | 71 BPM | ||
| Fallin' Rain | Karl Blau | E Major | 6 | 12B | 93 BPM | ||
| Just to Make Me Feel Good | Adam Green, Binki Shapiro | D Major | 6 | 10B | 110 BPM | ||
| Sleep With Me | Michael Rault | B♭ Major | 4 | 6B | 76 BPM | ||
| Way to be Loved | TOPS | B Minor | 5 | 10A | 116 BPM | ||
| The Original Thought | Richard Swift | D Major | 6 | 10B | 107 BPM | ||
| Sweet Moon | Reverend Baron | F Major | 3 | 7B | 84 BPM | ||
| The Take | Woods | A Minor | 5 | 8A | 147 BPM | ||
| Love Vibration | Josh Rouse | F♯ Major | 4 | 2B | 134 BPM | ||
| Memoir | Villagers | C Major | 4 | 8B | 87 BPM | ||
| Megumi the Milkyway Above | Connan Mockasin | B Major | 8 | 1B | 163 BPM | ||
| The Magician | Andy Shauf | A Major | 3 | 11B | 135 BPM |