Jacinto Guerrero, Nicasio Tejada's ' "La Rosa del Azafrán: Nocturno: "Ronda. Como Soy, Nena Mía"" was released on its scheduled release date, October 9, 1959. With This song being less than two minutes long, at 1:43, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Jacinto Guerrero, Nicasio Tejada's "La Rosa del Azafrán" album is number 4 out of 18. On top of that, Spain appears to be the country where this track was created. La Rosa del Azafrán: Nocturno: "Ronda. Como Soy, Nena Mía" is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of La Rosa del Azafrán: Nocturno: "Ronda. Como Soy, Nena Mía" by Jacinto Guerrero, Nicasio Tejada to be Andante (at a walking pace) because the track has a tempo of 89 BPM, a half-time of 44BPM, and a double-time of 178 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Los Gavilanes: "Soy Mozo y Enamorado" | José Ramos Martín, Jacinto Guerrero, Gran Orquesta Sinfonica | E Major | 3 | 12B | 81 BPM | ||
| Lucia di Lammermoor / Act 1: Quando rapito in estasi | Gaetano Donizetti, Nadine Sierra, Veta Pilipenko, Orchestra Sinfonica Nazionale della Rai, Riccardo Frizza | E♭ Major | 3 | 5B | 96 BPM | ||
| Los gavilanes, Acto II: Escena | Ataúlfo Argenta, Coros Cantores De Madrid, José Perera, Orquesta de Cámara de Madrid, Teresa Berganza, Toñy Rosado, Jacinto Guerrero | A Major | 3 | 11B | 134 BPM | ||
| Tosti / Arr Schifrin: Around the World Part 7: Marechiare | Francesco Paolo Tosti, The Three Tenors, Zubin Mehta, Los Angeles Philharmonic | A♭ Minor | 2 | 1A | 139 BPM | ||
| Lucia di Lammermoor / Act 2: "Al ben de'tuoi qual vittima" | Gaetano Donizetti, Dame Joan Sutherland, Nicolai Ghiaurov, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | A Major | 1 | 11B | 109 BPM | ||
| Pagliacci / Act 1: "Recitar!" - "Vesti la giubba" | Ruggero Leoncavallo, Carlo Bergonzi, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan | E Minor | 2 | 9A | 83 BPM | ||
| Los gavilanes, Acto II: Tocad Tamborileros | Ataúlfo Argenta, Coros Cantores De Madrid, José Perera, Orquesta de Cámara de Madrid, Teresa Berganza, Toñy Rosado, Jacinto Guerrero | A♭ Major | 3 | 4B | 94 BPM | ||
| Barbieri: El barberillo de Lavapiés: "Canción de Paloma" | Lisette Oropesa | A Major | 2 | 11B | 142 BPM | ||
| Molinos de Viento: En nombre de mi jefe | Manuel Hernández | F Major | 2 | 7B | 76 BPM | ||
| Los gavilanes, Acto I: El dinero que atesoro | Ataúlfo Argenta, Coros Cantores De Madrid, José Perera, Orquesta de Cámara de Madrid, Teresa Berganza, Toñy Rosado, Jacinto Guerrero | D♭ Major | 3 | 3B | 129 BPM | ||
| Bizet: Carmen, Act 2: "La belle, un mot" (Escamillo, Carmen, Zuñiga) | Georges Bizet, Maria Callas/Robert Massard/Jacques Mars/Choeurs René Duclos/Orchestre de l'Opéra National de Paris/Georges Prêtre, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra | F♯ Minor | 0 | 11A | 61 BPM | ||
| La alegría del batallón: "Aquí está quien lo tiene tó y no tiene ná" (Tajuña) | Jose Serrano, Orquesta Juvenil Sinfonía por el Perú, Guillermo García Calvo, Juan Diego Flórez | D Major | 1 | 10B | 75 BPM | ||
| Los gavilanes, Acto I: No hay por qué gemir | Ataúlfo Argenta, Coros Cantores De Madrid, José Perera, Orquesta de Cámara de Madrid, Teresa Berganza, Toñy Rosado, Jacinto Guerrero | F Major | 2 | 7B | 107 BPM | ||
| No | Javier Camarena, Humberto Terán, Armando Garmendi, Red Studio | D Major | 2 | 10B | 165 BPM | ||
| El Huesped del Sevillano (Canto a la Espada) | Plácido Domingo | D Major | 4 | 10B | 118 BPM | ||
| Pulida Magallonera - Remastered | Jesús Gracia, Rondalla Santamaría, Florencio Santamaría | A Major | 5 | 11B | 87 BPM | ||
| La Montería: "Alegre Día, Día de Fiesta" | José Ramos Martín, Jacinto Guerrero, Gran Orquesta Sinfonica | G Major | 4 | 9B | 107 BPM | ||
| La Dolores / Act 1: Jota | Tomás Bretón, Elisabete Matos, Raquel Pierotti, Máire Lang, Santiago Calderon, Tito Beltrán, Cor Del Gran Teatro De Liceu, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Antoni Ros Marbá | A Major | 2 | 11B | 108 BPM | ||
| El Huesped del Sevillano: "mujer de los Ojos Negros" | Juan Ignacio Luca de Tena, Enrique Reoyo, Jacinto Guerrero, Marcos Redondo | G Major | 1 | 9B | 86 BPM | ||
| La Rosa del Azafrán: Preludio: "Aunque Soy de la Mancha" | Jacinto Guerrero, Nicasio Tejada | E Major | 9 | 12B | 89 BPM | ||
| Roig: Cecilia Valdés: "Salida de Cecilia" | Lisette Oropesa, Óliver Díaz, Orquesta Sinfonica de Madrid | C Major | 2 | 8B | 111 BPM | ||
| Donde Vas Con Mantón de Manila | Ataúlfo Argenta | E♭ Major | 4 | 5B | 96 BPM | ||
| El Barberillo de Lavapies: Jota de los Estudiantes | Francisco Asenjo Barbieri, Maria Bayo, Antonio Ros Marbà, Orquesta Sinfónica de Madrid, Carlos Javier Mendez, Javier Medina, Arturo Guanche | D Major | 3 | 10B | 101 BPM | ||
| ¡Cinco Minutos Nada Menos!: "Si Quieres Ser Feliz Con las Mujeres" | José Muñoz Román, Jacinto Guerrero, Gran Orquesta del Teatro Martín de Madrid | E♭ Major | 5 | 5B | 137 BPM | ||
| La Verbena de la Paloma, Act I: Parlato et scène (Hilarión, Sebastián, Julián, Rita, Tabernero, Mozo 1, Mozo 2) | Tomás Bretón, Rafael Castejon, Jesús Castejón, Plácido Domingo, Raquel Pierotti, Alfonso Echeverria, Ramón de Andrés, Martín Grijalba, Antoni Ros Marbá, Orquesta Sinfónica de Madrid | E Major | 2 | 12B | 150 BPM |