On June 15, 1967, the song "Lord Mayo" was released by Dave Swarbrick, Diz Disley, Martin Carthy. The duration of This song is about two minutes long, specifically at 2:53. This song does not appear to have any foul language. Lord Mayo's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 18 in the song's album "Rags, Reels & Airs". In this album, this song's track order is #15. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Lord Mayo's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Lord Mayo by Dave Swarbrick, Diz Disley, Martin Carthy having a BPM of 146 with a half-time of 73 BPM and a double-time of 292 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
D♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The First of May | Magpie Lane | B♭ Major | 4 | 6B | 130 BPM | ||
| The Wee Cooper of Fife | Alastair McDonald and Leo Maguire | B♭ Major | 4 | 6B | 123 BPM | ||
| Red Haired Mary | Dervish | D♭ Major | 6 | 3B | 126 BPM | ||
| Nathaniel Gow's Lament On the Occasion of the Death of His Brother / Rory of the Hills | Dave Swarbrick | D Major | 4 | 10B | 119 BPM | ||
| The Light Dragoon | Malinky | D Major | 6 | 10B | 111 BPM | ||
| The Girl I Left Behind Me | The Albion Band | G Major | 8 | 9B | 108 BPM | ||
| Erin Go Bragh | Dick Gaughan | E♭ Minor | 4 | 2A | 63 BPM | ||
| Jean O' Bethelnie (Glenlogie) | Old Blind Dogs | C Major | 5 | 8B | 111 BPM | ||
| The Monaghan Twig / Collier's | Paddy Keenan | B♭ Major | 5 | 6B | 127 BPM | ||
| After the Thrill | Dave Swarbrick, Simon Nicol | A Major | 3 | 11B | 79 BPM | ||
| The Seeds of Love | Bella Hardy | D Major | 1 | 10B | 96 BPM | ||
| Johnny O'Breadislee | Hamish Imlach | E Minor | 2 | 9A | 120 BPM | ||
| The Twenty-Ninth of May or the Jovial Beggars | Maddy Prior, The Carnival Band | D Major | 5 | 10B | 102 BPM | ||
| Some Old Salty | Lal Waterson, Oliver Knight | B♭ Minor | 4 | 3A | 71 BPM | ||
| Let the Wind Blow High or Low | Jimmy Aldridge & Sid Goldsmith | C Minor | 1 | 5A | 139 BPM | ||
| Hidden Love/Sheila Coyles | Four Men & A Dog | E♭ Major | 5 | 5B | 115 BPM | ||
| The Bold Pedlar and Robin Hood | Nick Hart | B♭ Major | 1 | 6B | 95 BPM | ||
| Monaghan Jig / Drowsy Maggie / The Maid Behind the Bar | De Dannan | B Major | 2 | 1B | 81 BPM | ||
| Máirtín Byrne's Waltz / Nic's Tune | Dessie O'Halloran | A♭ Major | 8 | 4B | 99 BPM | ||
| The Connemara Hornpipe / The Leverette | Danú | G Minor | 6 | 6A | 131 BPM | ||
| Carolan's Farewell | Dave Swarbrick, Simon Nicol | D Major | 4 | 10B | 164 BPM | ||
| The Molecatcher | Rachael McShane, The Cartographers | D Major | 5 | 10B | 156 BPM | ||
| Among Proddy Dogs and Papes | Jason Wilson, Dave Swarbrick | G Major | 4 | 9B | 166 BPM | ||
| Over the Moor to Maggie | Andrew Finn Magill | G Major | 3 | 9B | 109 BPM | ||
| Donegal Reels | De Dannan | E♭ Major | 9 | 5B | 115 BPM |