Elliott Sharp's 'Limbic' had a release date set for 1993. With this song being around four minutes long, at 4:00, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 12 out of 15 in Amusia by Elliott Sharp. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Limbic's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Limbic by Elliott Sharp is Allegro (fast, quick, and bright), since this song has a tempo of 122 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Bullfrog Blues (feat. Elliott Sharp & Kenny Aaronson) | Floyd Lee, Elliott Sharp, Kenny Aaronson | A♭ Major | 5 | 4B | 71 BPM | ||
| He's Waltzing Like a Gun | David Jacques | F♯ Major | 2 | 2B | 85 BPM | ||
| Jack's Neap Tide | Fred Frith | E♭ Major | 0 | 5B | 73 BPM | ||
| Ferment | Christian Marclay, Elliott Sharp | A Major | 9 | 11B | 77 BPM | ||
| Five Tastes of Sour | Nels Cline, Elliott Sharp | F Major | 3 | 7B | 79 BPM | ||
| Please Come To My House | John Lurie | E♭ Minor | 10 | 2A | 85 BPM | ||
| Guitars Out of Control | Marina Frescobaldi | E♭ Major | 3 | 5B | 33 BPM | ||
| Shapes Mentioned | Joe Morris, Elliott Sharp | E Major | 6 | 12B | 135 BPM | ||
| So Gong | Hadouk, Didier Malherbe, Loy Ehrlich, Eric Löhrer, Jean-Luc Difraya | A Minor | 1 | 8A | 123 BPM | ||
| M - Music I - Inside C - Curved E-Entrances | Terry Riley | F♯ Minor | 6 | 11A | 100 BPM | ||
| Compositions 1960: No. 9 - Arr. for Guitar | La Monte Young, Noël Akchoté | D Major | 1 | 10B | 169 BPM | ||
| Tone IQ | Matthew Shipp | G Major | 2 | 9B | 96 BPM | ||
| Love Walked In | Sergio Armaroli, Steve Piccolo, Elliott Sharp | D Major | 2 | 10B | 145 BPM | ||
| Bouton Siffle | Compro Oro, Bouton Kalanda | B♭ Major | 5 | 6B | 113 BPM | ||
| Wave vi | Knockoutsound4you | B♭ Major | 5 | 6B | 113 BPM | ||
| Hole in the Dirt - Live | Will | A♭ Minor | 5 | 1A | 134 BPM | ||
| Anemometer | Bitchin Bajas, Natural Information Society | F Minor | 7 | 4A | 129 BPM | ||
| Jungle | Lavinia Concia | B♭ Minor | 0 | 3A | 180 BPM | ||
| Blues in New York City (feat. Elliott Sharp & Kenny Aaronson) | Floyd Lee, Elliott Sharp, Kenny Aaronson | A♭ Major | 5 | 4B | 71 BPM | ||
| The End Of Days | Ongoing Slaughter | D Major | 0 | 10B | 82 BPM | ||
| Cambio de papeles. | mark | A♭ Minor | 3 | 1A | 180 BPM | ||
| Nobody Nobody (feat. Elliott Sharp & Kenny Aaronson) | Floyd Lee, Elliott Sharp, Kenny Aaronson | A♭ Major | 5 | 4B | 71 BPM | ||
| This Word Love | Peter Brötzmann, Heather Leigh | A Minor | 1 | 8A | 65 BPM | ||
| Mindblown | Bever | B♭ Major | 5 | 6B | 113 BPM | ||
| Innercoast Whispers | Gregoire Maret, Erik Truffaz, Stade, Elliott Sharp | C Major | 2 | 8B | 108 BPM |