"The Opening Band" by Richard Swift had its release date on January 1, 2007. The duration of This song is about two minutes long, specifically at 2:13. This song does not appear to have any foul language. The Opening Band's duration is considered a little bit shorter than the average duration of a typical track. The song is number 10 out of 10 in Dressed Up For The Let Down by Richard Swift. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, The Opening Band is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of The Opening Band by Richard Swift is Andante (at a walking pace), since this song has a tempo of 108 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 3/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| High on Your Love | Kings Go Forth | C Major | 7 | 8B | 80 BPM | ||
| Ghosts in the Walls | Tommy Allen | C Major | 4 | 8B | 120 BPM | ||
| (I've Got) Trouble In Mind | The Limiñanas | F♯ Major | 9 | 2B | 144 BPM | ||
| Hollow Home | Woods | F♯ Minor | 8 | 11A | 145 BPM | ||
| Wheel On Fire | Houndstooth | G Major | 7 | 9B | 135 BPM | ||
| Heart of the Country | Dick Stusso | E Major | 5 | 12B | 141 BPM | ||
| Take It Easy (Ever After Lasting Love) | White Denim | E Major | 4 | 12B | 99 BPM | ||
| To Connect | Floating Action | D♭ Minor | 7 | 12A | 96 BPM | ||
| In the Darkness | Foxygen | A Major | 9 | 11B | 173 BPM | ||
| Getting' Away with Your Gal (feat. Bill Callahan) | The Echocentrics, Bill Callahan | B Minor | 7 | 10A | 176 BPM | ||
| Wintersong | Blake Mills | G Minor | 8 | 6A | 117 BPM | ||
| If I Stay Too Long | The Creation | A Major | 6 | 11B | 88 BPM | ||
| Rip City | Rose City Band | G Major | 6 | 9B | 112 BPM | ||
| Hello Sunshine | Damien Jurado, Richard Swift | D Major | 4 | 10B | 77 BPM | ||
| I Just Wasn't Made for These Times | Jim James | F Major | 4 | 7B | 139 BPM | ||
| The End of That | Plants and Animals | F Major | 7 | 7B | 121 BPM | ||
| Canyon (feat. Alex Maas & Jazz Mills) | The Echocentrics, Adrian Quesada, Alex Maas, Jazz Mills | E Major | 7 | 12B | 88 BPM | ||
| Canary Island | Houndstooth | F Major | 6 | 7B | 75 BPM | ||
| Got To Let Go | The Bees | D Minor | 9 | 7A | 103 BPM | ||
| Call Me in the Day | La Luz | C Major | 8 | 8B | 98 BPM | ||
| Blood In The Bathtub | Bonny Doon | C Major | 6 | 8B | 112 BPM | ||
| Dream on Columbia Street | Cotton Jones | D Major | 8 | 10B | 140 BPM | ||
| Good Time | Donnie & Joe Emerson | A♭ Minor | 9 | 1A | 133 BPM | ||
| Walking Without Effort Theme | Richard Swift | C Major | 2 | 8B | 105 BPM | ||
| Slow Train | Kevin Morby, Cate Le Bon | A Major | 4 | 11B | 176 BPM |