R. D. Burman, Amit Kumar's ' "Hariye Jawa Sab Kichu" was released on its scheduled release date, January 1, 1992. This song is about six minutes long, preciously at 5:54, making this song fairly long compared to other songs. The song is number 7 out of 7 in Ajana Path (Original Motion Picture Soundtrack) by R. D. Burman. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Hariye Jawa Sab Kichu is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Hariye Jawa Sab Kichu by R. D. Burman, Amit Kumar is Andante (at a walking pace), since this song has a tempo of 85 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
This song has a musical key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| O Mere Sona Re Sona | Vishakha Mahore, Aryam, R. D. Burman | A Major | 4 | 11B | 108 BPM | ||
| Samundar Mein Nahake - From "Pukar" | R. D. Burman | D Major | 8 | 10B | 130 BPM | ||
| Na Tum Hamen Jano | Suman Kalyanpur | B Minor | 6 | 10A | 94 BPM | ||
| Qayda Qayda | Rekha, Sapan Chakraborty, R. D. Burman | D Major | 3 | 10B | 93 BPM | ||
| Jadu Hai Nasha Hai - 2002 | Shreya Ghoshal | C Minor | 6 | 5A | 95 BPM | ||
| Jis Gali Mein Tera Ghar And Dialogue | Mukesh, Rajesh Khanna, R. D. Burman | E♭ Minor | 4 | 2A | 157 BPM | ||
| Jane Woh Kaise Log The | Hemant Kumar | E Major | 3 | 12B | 93 BPM | ||
| Yun Zindagi Ki | Chitra Singh | A♭ Major | 5 | 4B | 104 BPM | ||
| Madhuban Khushboo Deta Hai - Duet | K. J. Yesudas, Anuradha Paudwal | D♭ Major | 4 | 3B | 126 BPM | ||
| Ranjish Hi Sahi | Mehdi Hassan | G Major | 5 | 9B | 133 BPM | ||
| Zindagi Denewale Sun, Teri Duniya Se Dil Bhar Gaya, From ''Dil - E – Nadan'' | Talat Mahmood | D Major | 2 | 10B | 92 BPM | ||
| Tere Mere Sapne Ab Ek Rang Hain | Mohammed Rafi, Shailendra | E♭ Major | 4 | 5B | 175 BPM | ||
| Aaina Mujhse Mere | Talat Aziz | F♯ Minor | 5 | 11A | 138 BPM | ||
| Commentry Tabassum And Humen Tumse Pyar Kitna | Tabassum, Kishore Kumar, R. D. Burman | A Minor | 4 | 8A | 125 BPM | ||
| Kai Din Se Mujhe | Hemlata, Shailendra Singh, Ravindra Jain | G Minor | 5 | 6A | 72 BPM | ||
| Karvaten Badalte Rahe | Kishore Kumar, Lata Mangeshkar, R. D. Burman | B♭ Major | 4 | 6B | 81 BPM | ||
| Do Lafzon Ki Hai Dil Ki Kahani - Asha Bhosle | Asha Bhosle, R. D. Burman | D Minor | 5 | 7A | 75 BPM | ||
| Rang Barse Bheege Chunarwali | Amitabh Bachchan | D Major | 5 | 10B | 120 BPM | ||
| Commentry Tabassum And Aaiye Meharban - Howrah Bridge | Tabassum, Asha Bhosle, O. P. Nayyar | C Major | 5 | 8B | 119 BPM | ||
| Ankhon Hi Ankhon Mein | O. P. Nayyar, Jan Nisar Akhtar | F Major | 4 | 7B | 159 BPM | ||
| Mamiya Kairo Mama - From "Arjun" | Shailendra Singh, R. D. Burman | E♭ Major | 8 | 5B | 139 BPM | ||
| Katra Katra - With Dialogues | Naseeruddin Shah, Rekh, Asha Bhosle, R. D. Burman | B Major | 3 | 1B | 97 BPM | ||
| Kisi Ki Muskurahaton Pe | Mukesh | C Minor | 3 | 5A | 207 BPM | ||
| Kya Yahi Pyar Hai | R. D. Burman, Alisha Chinai, Papon, Shamir Tandon | G Major | 7 | 9B | 103 BPM | ||
| Pyaar To Hona Hi Tha | Jatin-Lalit, Remo Fernandes, Jaspinder Narula | A Major | 7 | 11B | 117 BPM |