Lorne Balfe's 'A Parallel Sky' had a release date set for December 20, 2020. The duration of This song is about two minutes long, specifically at 2:37. This song does not appear to have any foul language. A Parallel Sky's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Lorne Balfe's "His Dark Materials Series 2 (Original Television Soundtrack)" album is number 1 out of 35. On top of that, United Kingdom appears to be the country where this track was created. The popularity of A Parallel Sky is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of A Parallel Sky by Lorne Balfe to be Vivace (lively and fast) because the track has a tempo of 176 BPM, a half-time of 88BPM, and a double-time of 352 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Whatever Comes (feat. Julie Elven & Melissa R. Kaplan) | Oleksa Lozowchuk, Julie Elven, Melissa R. Kaplan | G Minor | 5 | 6A | 96 BPM | ||
| Change of Plan | Lorne Balfe | A♭ Major | 6 | 4B | 107 BPM | ||
| Main Title / Trinity Infinity - From "The Matrix" | Don Davis | E Minor | 5 | 9A | 136 BPM | ||
| Escape Through Paris | Lorne Balfe | A♭ Major | 7 | 4B | 107 BPM | ||
| Cutting on One | Lorne Balfe | A♭ Major | 4 | 4B | 75 BPM | ||
| Arrival to Earth | Steve Jablonsky | C Minor | 4 | 5A | 79 BPM | ||
| Cal Kestis | Stephen Barton, Gordy Haab | E Minor | 1 | 9A | 113 BPM | ||
| The Resurrection Stone | Alexandre Desplat | D♭ Minor | 0 | 12A | 69 BPM | ||
| Fusion | Ludwig Göransson | D♭ Major | 2 | 3B | 121 BPM | ||
| What I Really Wanted | Clinton Shorter | G Major | 1 | 9B | 117 BPM | ||
| Essex Leaving Harbor | Roque Baños | A♭ Major | 6 | 4B | 118 BPM | ||
| Brothers In Arms | Junkie XL | C Minor | 9 | 5A | 80 BPM | ||
| Reunion | Greg Edmonson | F Minor | 3 | 4A | 79 BPM | ||
| Liftoff | Max Aruj, Alfie Godfrey | A♭ Major | 5 | 4B | 105 BPM | ||
| Where To? | Mark Mothersbaugh | F Major | 1 | 7B | 95 BPM | ||
| Jessamy's Flight | David Buckley | C Major | 7 | 8B | 125 BPM | ||
| Voices | Martin Phipps | C Minor | 1 | 5A | 124 BPM | ||
| 10,000 BC/End Credits | Harald Kloser, Thomas Wander | E Minor | 5 | 9A | 84 BPM | ||
| Obliviate | Alexandre Desplat | C Major | 2 | 8B | 150 BPM | ||
| D-Day | Christophe Beck | D♭ Major | 3 | 3B | 109 BPM | ||
| Still In This Fight | Steven Price | F Minor | 5 | 4A | 130 BPM | ||
| Shenzou | Steven Price | D♭ Minor | 5 | 12A | 121 BPM | ||
| Captain America | Henry Jackman | F Minor | 3 | 4A | 153 BPM | ||
| Daggers | Martin Phipps | A Minor | 3 | 8A | 136 BPM | ||
| Earth | Jesper Kyd, Assassin's Creed | B♭ Major | 6 | 6B | 114 BPM |