James Dooley's ' "Ultimate Contest" was released on its scheduled release date, January 1, 2007. With This song being less than two minutes long, at 1:09, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 34 in the song's album "Position Music - Orchestral Series, Vol. 2". In this album, this song's track order is #5. Furthermore, we believe that the track originated from United States. Based on our statistics, Ultimate Contest's popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Ultimate Contest by James Dooley having a BPM of 151 with a half-time of 76 BPM and a double-time of 302 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 1/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Lost Raiders | Audiomachine | B Minor | 6 | 10A | 95 BPM | ||
| Land of Shadows | Audiomachine | D♭ Major | 7 | 3B | 103 BPM | ||
| A New World | Soundcritters | D Minor | 4 | 7A | 89 BPM | ||
| Theme from Defiance | Bear McCreary | D♭ Minor | 5 | 12A | 139 BPM | ||
| To The Evil's Cathadral | NCSOUND | D♭ Minor | 8 | 12A | 65 BPM | ||
| Andromeda | Q-Factory by Robert Etoll, Steve Rucker | A♭ Major | 6 | 4B | 143 BPM | ||
| United We Stand | Glory Oath + Blood, Robert Leslie Bennett | E Minor | 5 | 9A | 119 BPM | ||
| Fugen auff die acht Tonos: No. 5, Quinti toni | Johann Walter, Jamie Savan, James Dooley | C Major | 2 | 8B | 82 BPM | ||
| Pompeii | E.S. Posthumus | C Major | 9 | 8B | 87 BPM | ||
| With Prejudice | Doyle W. Donehoo | B♭ Major | 5 | 6B | 80 BPM | ||
| A Grand Affair | James Dooley | C Major | 2 | 8B | 80 BPM | ||
| Andromeda | Hi-Finesse | B Minor | 8 | 10A | 135 BPM | ||
| To the Ends of the Earth | David Chappell | D♭ Major | 6 | 3B | 84 BPM | ||
| King of All Kings | Soundcritters | D Minor | 5 | 7A | 150 BPM | ||
| Destroyers in the Sky | James Dooley, Danny Cocke | D♭ Minor | 9 | 12A | 155 BPM | ||
| As We Watch the Burning Embers Fall Gently to the Ground | Future Heroes | F Major | 5 | 7B | 80 BPM | ||
| Red Mist | Tom Player | D Minor | 4 | 7A | 75 BPM | ||
| Battle Triumph's Echo | Heavy Melody, Dos Brains | D♭ Major | 7 | 3B | 155 BPM | ||
| Stormcaller | Epic North | C Major | 7 | 8B | 134 BPM | ||
| Accordance | PostHaste Music | G Minor | 6 | 6A | 123 BPM | ||
| Sinister Intent | Danny Cocke | D Major | 8 | 10B | 140 BPM | ||
| The Lords Shall Rule | Trailerhead | D♭ Major | 7 | 3B | 103 BPM | ||
| The Creator | Immediate | C Major | 4 | 8B | 120 BPM | ||
| Arise | E.S. Posthumus | F Major | 5 | 7B | 88 BPM | ||
| A Warrior's Call | WHITE WALL | A♭ Major | 8 | 4B | 109 BPM |