"Na Pawar Golpo" by Encore had its release date on April 20, 2016. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. Because this song is the only song in Na Pawar Golpo and no other songs are present in the album, we classify this track as a single. In terms of popularity, Na Pawar Golpo is currently below average in popularity. Although the overall vibe is very danceable, it does project more negative sounds.
With Na Pawar Golpo by Encore having a BPM of 100 with a half-time of 50 BPM and a double-time of 200 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
D♭ Minor is the music key of this track. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Prostab | Odd Signature | D♭ Major | 8 | 3B | 94 BPM | ||
| Opekkha, Pt. 2 | Vikings | E♭ Minor | 4 | 2A | 132 BPM | ||
| 60's Love | Level Five, Rakat Zami | F♯ Minor | 5 | 11A | 136 BPM | ||
| Premlota | Sohan Ali | E♭ Major | 2 | 5B | 82 BPM | ||
| Morron Iccha | Popeye Bangladesh | A Minor | 7 | 8A | 80 BPM | ||
| Maya Cycle | Meghdol | C Major | 2 | 8B | 122 BPM | ||
| Fera | Shohojia | C Major | 6 | 8B | 180 BPM | ||
| Raater e Bhirey | Maestroo | F Major | 8 | 7B | 90 BPM | ||
| Oparthib | Popeye Bangladesh | B Minor | 5 | 10A | 79 BPM | ||
| Natai | Encore | B Minor | 9 | 10A | 115 BPM | ||
| Upo | Hatirpool Sessions | F Major | 3 | 7B | 106 BPM | ||
| Jonaki | Kaaktaal | B Major | 3 | 1B | 129 BPM | ||
| Harano Ami | Metrical | A♭ Minor | 3 | 1A | 125 BPM | ||
| Beatles | Firoze Jong | F Minor | 5 | 4A | 110 BPM | ||
| Tomake | Warfaze | E♭ Major | 5 | 5B | 100 BPM | ||
| Room No. 17 | Level Five | F♯ Minor | 8 | 11A | 180 BPM | ||
| Bhognomonoskota | Karnival | B Minor | 6 | 10A | 140 BPM | ||
| Ki R Hobe | Ashes Bangladesh | C Major | 5 | 8B | 81 BPM | ||
| Manush Pakhir Gaan | Black | A♭ Major | 6 | 4B | 114 BPM | ||
| Bir | Nemesis | E♭ Minor | 9 | 2A | 94 BPM | ||
| Mombati | Mohon Sharif | D Minor | 5 | 7A | 150 BPM | ||
| Nosto | Prithibi | D♭ Major | 5 | 3B | 120 BPM | ||
| Chera Ghuri | Shitom Ahmed | E Minor | 1 | 9A | 168 BPM | ||
| Neelanjana | Encore | C Major | 5 | 8B | 110 BPM | ||
| Shajo Tumi | Conclusion | C Major | 6 | 8B | 140 BPM |