Mark Dresser, Fred Frith, Ikue Mori's ' "Code" was released on its scheduled release date, January 1, 2000. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Mark Dresser, Fred Frith, Ikue Mori's "Later…" album is number 9 out of 9. On top of that, Canada appears to be the country where this track was created. In terms of popularity, Code is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Code by Mark Dresser, Fred Frith, Ikue Mori to be Moderato (at a moderate speed) because the track has a tempo of 110 BPM, a half-time of 55BPM, and a double-time of 220 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Party lines | Nunes810 | B♭ Minor | 5 | 3A | 93 BPM | ||
| Finalité | Mark Dresser, Fred Frith, Gerry Hemingway, Phil Minton, John Oswald, Bob Ostertag, John Zorn | D Major | 3 | 10B | 99 BPM | ||
| Yvonne & Shimmle | David Jacques | C Minor | 2 | 5A | 127 BPM | ||
| Entrave | Henri Texier, Aldo Romano, Louis Sclavis | C Minor | 5 | 5A | 116 BPM | ||
| Modul 4 | Nik Bärtsch | A♭ Major | 5 | 4B | 152 BPM | ||
| Dermus | Mark Dresser | E Minor | 4 | 9A | 83 BPM | ||
| Third Stream Boogaloo | Derek Bailey, Evan Parker, Hugh Davies, Jamie Muir, Christine Jeffrey | E Minor | 4 | 9A | 77 BPM | ||
| Shenandoah | Duck Baker, Mark Dresser | D Major | 3 | 10B | 105 BPM | ||
| Nakatanitine | Mark Dresser | B Minor | 3 | 10A | 68 BPM | ||
| Perìklasis | Carlo Alessandro Landini, Robert Zelickman, Mark Dresser | D Major | 2 | 10B | 75 BPM | ||
| Still Life | Ellery Eskelin, Mat Maneri, Erik Friedlander, Mark Dresser, Matt Moran | E Minor | 1 | 9A | 84 BPM | ||
| Good Days (For Lee Anne) | Chicago Underground Quartet, Rob Mazurek, Jeff Parker, Chad Taylor, Josh Johnson | F♯ Major | 1 | 2B | 203 BPM | ||
| Music for Marcel Duchamp (1947) | John Cage, Stephen Drury | B♭ Minor | 0 | 3A | 109 BPM | ||
| Rebus | Ed Harkins, Mark Dresser, Steven Schick | F Minor | 0 | 4A | 87 BPM | ||
| Klavierstück IV | Karlheinz Stockhausen, Miharu Ogura | F Minor | 0 | 4A | 83 BPM | ||
| Cells 9-11 | Terry Riley, Brooklyn Raga Massive | C Major | 7 | 8B | 111 BPM | ||
| Placelessness 2.5 | Chris Abrahams, Oren Ambarchi, Robbie Avenaim | D Major | 2 | 10B | 112 BPM | ||
| Queen of All Ears | The Lounge Lizards | D♭ Major | 8 | 3B | 127 BPM | ||
| Some Powerful Women - Why | Briggan Krauss, Chris Speed, Mark Dresser, Myra Melford, Andrew Drury | D♭ Minor | 1 | 12A | 151 BPM | ||
| Vaxjo Kollektiv | Briggan Krauss, Chris Speed, Mark Dresser, Myra Melford, Andrew Drury | E Minor | 4 | 9A | 80 BPM | ||
| 6.2 | Supersilent | C Minor | 2 | 5A | 110 BPM | ||
| Hood | Vijay Iyer Trio | B Minor | 3 | 10A | 144 BPM | ||
| Vernon (River Community) | Scott Flynn, Ethan Snyder | D Minor | 7 | 7A | 88 BPM | ||
| Harvest | Henri Texier, Aldo Romano, Louis Sclavis | A♭ Major | 2 | 4B | 91 BPM | ||
| Truck | REED | A Major | 1 | 11B | 132 BPM |