Even the Forgers Were Left Fingering the Fakes
Ken Stringfellow
Danzig in the Moonlight
3:39 September 30, 2012
BPM
181
Key
F Major
Camelot
7B

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Even the Forgers Were Left Fingering the Fakes by Ken Stringfellow Song Details

Ken Stringfellow's ' "Even the Forgers Were Left Fingering the Fakes" was released on its scheduled release date, September 30, 2012. With this song being around four minutes long, at 3:39, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 11 out of 14 in Danzig in the Moonlight by Ken Stringfellow. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. The popularity of Even the Forgers Were Left Fingering the Fakes is currently not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.

BPM and Tempo

The tempo marking of Even the Forgers Were Left Fingering the Fakes by Ken Stringfellow is Presto (very, very fast), since this song has a tempo of 181 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.

Music Key

This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity
Loudness
-11.521 dB
Acousticness
11%
Danceability
19%
Energy
50%
Instrumentalness
17%
Liveness
12%
Loudness
81%
Speechiness
4%
Valence
49%

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ISRC
GBHMW1200129
Label
L-M Records/RCA Records