George Frideric Handel, Andrew Davis, Toronto Mendelssohn Choir, Elmer Iseler Singers, Florence Quivar, John Aler, Samuel Ramey, Kathleen Battle, Toronto Symphony Orchestra's 'For Unto Us A Child Is Born - Live' had a release date set for January 1, 1987. With this song being around four minutes long, at 3:57, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in George Frideric Handel, Andrew Davis's "Handel: Messiah" album is number 12 out of 54. On top of that, United States appears to be the country where this track was created. In terms of popularity, For Unto Us A Child Is Born - Live is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of For Unto Us A Child Is Born - Live by George Frideric Handel, Andrew Davis, Toronto Mendelssohn Choir, Elmer Iseler Singers, Florence Quivar, John Aler, Samuel Ramey, Kathleen Battle, Toronto Symphony Orchestra to be Andante (at a walking pace) because the track has a tempo of 104 BPM, a half-time of 52BPM, and a double-time of 208 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| O come, all ye faithful (Desc. David Willcocks) | Adeste Fideles, Choir of King's College, Cambridge, Henry Websdale, Stephen Cleobury | G Major | 3 | 9B | 82 BPM | ||
| The Day Thou Gavest, Lord, Is Ended | Clement Cotterill Scholefield, John Rutter, John Scott, The Cambridge Singers | G Major | 1 | 9B | 133 BPM | ||
| Mary's Lullaby | John Rutter, City of London Sinfonia, The Cambridge Singers | F♯ Major | 0 | 2B | 67 BPM | ||
| Night of Silence - Silent Night (Arr. M. Biery for Choir) | Daniel Kantor, Franz Xaver Gruber, The Cathedral Singers, Richard Proulx | A Major | 2 | 11B | 80 BPM | ||
| The Trumpet Shall Sound - Live | George Frideric Handel, Andrew Davis, Toronto Mendelssohn Choir, Elmer Iseler Singers, Florence Quivar, John Aler, Samuel Ramey, Kathleen Battle, Toronto Symphony Orchestra | D Major | 1 | 10B | 120 BPM | ||
| O Magnum Mysterium | Tomás Luis de Victoria, New York Polyphony | F Minor | 1 | 4A | 79 BPM | ||
| O Taste and See | Ralph Vaughan Williams, Mary Seers, The Cambridge Singers, John Rutter | A♭ Minor | 0 | 1A | 82 BPM | ||
| O Come, Emmanuel | Salisbury Cathedral Choir, Simon Lole | G Major | 2 | 9B | 85 BPM | ||
| In Paradisum (from "Requiem", Op. 48) | Gabriel Fauré, Katherine Jenkins, Nicholas Dodd, The London Session Orchestra | D♭ Major | 2 | 3B | 65 BPM | ||
| Panis Angelicus | Vienna Boys' Choir, Plácido Domingo | A Major | 2 | 11B | 78 BPM | ||
| I Will Lift up Mine Eyes | John Rutter, City of London Sinfonia, The Cambridge Singers | E Major | 0 | 12B | 85 BPM | ||
| Messiah, HWV 56: No. 12, For Unto Us a Child Is Born | George Frideric Handel, The Cambridge Singers, City of London Sinfonia, John Rutter | D Major | 2 | 10B | 84 BPM | ||
| Comfort Ye My People | The Tabernacle Choir at Temple Square, Orchestra at Temple Square, Rolando Villazón | D Major | 5 | 10B | 140 BPM | ||
| O Holy Night | Adolphe Adam, Choirs of St. John Cantius, Orchestra of St. John Cantius Church, Chicago, IL, Fr. Scott A. Haynes, SJC | D Major | 4 | 10B | 129 BPM | ||
| The Shepherd's Carol | Bob Chilcott, John Rutter, The Cambridge Singers | D Major | 0 | 10B | 70 BPM | ||
| Angels from the Realms of Glory (Arr. Ledger) | Traditional, Sir Philip Ledger, Choir of King's College, Cambridge | G Major | 0 | 9B | 87 BPM | ||
| Hear my Prayer | Felix Mendelssohn, Choir of King's College, Cambridge, Stephen Cleobury, Douglas Tang, Tom Pickard | G Major | 0 | 9B | 82 BPM | ||
| Ave Maria | Giovanni Pierluigi da Palestrina, Sistine Chapel Choir, Massimo Palombella | A Minor | 1 | 8A | 87 BPM | ||
| For Unto Us A Child Is Born | London Philharmonic Choir | G Major | 2 | 9B | 91 BPM | ||
| For all the Saints | Ralph Vaughan Williams, St. Paul's Cathedral Choir, Malcolm Archer | B♭ Major | 2 | 6B | 89 BPM | ||
| Our Father (Otche nash) | Nikolay Kedrov, Estonian Philharmonic Chamber Choir, Paul Hillier | E Major | 2 | 12B | 169 BPM | ||
| O Holy Night (Arr. John Rutter) | Adolphe Adam, Stephen Cleobury, Henry Websdale, Choir of King's College, Cambridge | E♭ Major | 2 | 5B | 85 BPM | ||
| Coventry Carol | Choir of King's College, Cambridge, Sir David Willcocks | G Major | 1 | 9B | 100 BPM | ||
| In The Bleak Midwinter | Gustav Holst, Christina Rossetti, Tenebrae, Nigel Short | F Major | 0 | 7B | 139 BPM | ||
| Messiah: Part 3, I know that my redeemer liveth (Air, Soprano) | The Sixteen | E♭ Major | 1 | 5B | 133 BPM |