I Apenandi's 'To Parelthon Thimithika' had a release date set for June 20, 2001. With this song being around four minutes long, at 3:48, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 5 in the song's album "To Parelthon Thimithik". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Greece. Based on our statistics, To Parelthon Thimithika's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With To Parelthon Thimithika by I Apenandi having a BPM of 133 with a half-time of 66 BPM and a double-time of 266 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Pshedelia | Ziynet Sali | F Minor | 7 | 4A | 114 BPM | ||
| Eisai - Sevismeden Uymayalim | Sarantis Saleas | F Major | 7 | 7B | 58 BPM | ||
| Min Perimenis Pia | Mihalis Menidiatis, Voula Gika | A♭ Major | 6 | 4B | 153 BPM | ||
| Rio | Carte Postale | D Minor | 7 | 7A | 100 BPM | ||
| Apo To Vradi Os To Proi | Cafe Aman Instanbul | E Major | 5 | 12B | 105 BPM | ||
| Gülbahar | Cafe Aman Instanbul | A Major | 6 | 11B | 115 BPM | ||
| Logia Logia Logia | Filippos Nikolaou | F Minor | 8 | 4A | 102 BPM | ||
| Einai Krima | Toula Montez, Farah | B Minor | 3 | 10A | 81 BPM | ||
| Prodomeni Agapi | Margarita Zorbala | D Major | 3 | 10B | 82 BPM | ||
| Misos | I Apenandi | F Major | 6 | 7B | 137 BPM | ||
| Etsi Einai Matia Mou | Gerasimos Andreatos, Vaggelis Korakakis | B Minor | 6 | 10A | 127 BPM | ||
| Tsifteteli Hitzaskar | Stavros Xarhakos | F Major | 4 | 7B | 111 BPM | ||
| Methismeno Koritsi | Margarita Zorbala | A Minor | 2 | 8A | 81 BPM | ||
| Pios Giorgos (Ce Georges) | Martha Frintzila, Lavrentis Machairitsas | E Minor | 5 | 9A | 103 BPM | ||
| Ah Eleni (feat. Zoi Papadopoulou) | Dimos Anastasiadis, Zoi Papadopoulou | E Minor | 5 | 9A | 100 BPM | ||
| Gyrna | Manolis Aggelopoulos | F Minor | 4 | 4A | 116 BPM | ||
| Me Fitepsane Se Kameni Gi | Maria Faradouri | G Minor | 2 | 6A | 102 BPM | ||
| Ase Tous Erotes | Anna Vissi | A♭ Minor | 9 | 1A | 130 BPM | ||
| Makria Ap' Tin Trikimia | Eleftheria Arvanitaki | E♭ Minor | 8 | 2A | 106 BPM | ||
| Pou Na Vro Gineka Na Sou Miazi | Yiannis Kotsiras | D Minor | 6 | 7A | 105 BPM | ||
| To Potiri | Kostas Pavlidis, Antonis Apergis | F♯ Minor | 3 | 11A | 168 BPM | ||
| Nha Gloria | Teofilo Chantre | F♯ Minor | 5 | 11A | 93 BPM | ||
| Astra Mi Me Malonete | Manolis Lidakis | F Minor | 5 | 4A | 94 BPM | ||
| Xypna Agapi Mou (feat. Athina Routsi) | Dimitris Kalantzis, Athina Routsi | A Minor | 7 | 8A | 148 BPM | ||
| Fragosiriani - Live | George Dalaras, Choir of Siros | G Minor | 7 | 6A | 114 BPM |