"Turning the Tide" by Mike Reed, Matthew J. Robertson, Thomas Howe had its release date on September 25, 2014. With This song being less than two minutes long, at 1:33, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 57 in the song's album "This Is Sport, Vol. 2". In this album, this song's track order is #19. Based on our statistics, Turning the Tide's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Turning the Tide by Mike Reed, Matthew J. Robertson, Thomas Howe having a BPM of 142 with a half-time of 71 BPM and a double-time of 284 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Capillary Waves | Flock, Bex Burch, Danalogue, Tamar Osborn, Sarathy Korwar, Al MacSween | A♭ Minor | 7 | 1A | 97 BPM | ||
| Stone Houses | Elliot Galvin | F Minor | 3 | 4A | 125 BPM | ||
| Apple Pie | Andy Hay | C Minor | 3 | 5A | 120 BPM | ||
| Elegy | Jeremy Cunningham, Makaya McCraven, Mike Reed, Mikel Patrick Avery | B♭ Minor | 5 | 3A | 134 BPM | ||
| Movement Four: Perception | JJ Whitefield, Forced Meditation | C Minor | 3 | 5A | 120 BPM | ||
| Bella Vista | Daniel Villarreal | A Major | 8 | 11B | 136 BPM | ||
| iv | Cassie Kinoshi, seed., NikNak, London Contemporary Orchestra | B♭ Minor | 7 | 3A | 103 BPM | ||
| In the Spirit of Fair Play | Duffy x Uhlmann, Gregory Uhlmann, Hand Habits | F Major | 7 | 7B | 120 BPM | ||
| Count To One | Ella Zirina, Otis Sandsjö | G Major | 4 | 9B | 79 BPM | ||
| Plants No Virtues | V/Z, Valentina Magaletti, Zongamin, Venus Ex Machina | C Major | 3 | 8B | 166 BPM | ||
| Prelude: Orison | Vijay Iyer, Linda May Han Oh, Tyshawn Sorey | F♯ Major | 3 | 2B | 106 BPM | ||
| Ain't Nice | Cassie Watson Francillon, Aquiles Navarro | C Minor | 3 | 5A | 120 BPM | ||
| Parkette | Joseph Shabason, Ben Gunning | F Major | 1 | 7B | 116 BPM | ||
| Closer | Evolving Sound, Mike Reed, Nik Ammar | D Minor | 3 | 7A | 200 BPM | ||
| All Alone | Josh Johnson | B♭ Minor | 3 | 3A | 81 BPM | ||
| Life | Tomin | D♭ Major | 5 | 3B | 125 BPM | ||
| Paradise Lost | Evolving Sound, Mike Reed, Nik Ammar | A Minor | 3 | 8A | 100 BPM | ||
| In Response To | Artifacts, Nicole Mitchell, Tomeka Reid, Mike Reed | E Minor | 1 | 9A | 122 BPM | ||
| Ride The Vibe | Hu Vibrational | A Minor | 3 | 8A | 106 BPM | ||
| Sunset Cliffs | Daniel Villarreal, Jeff Parker, Anna Butterss | B♭ Minor | 5 | 3A | 87 BPM | ||
| Keepers | Brahja | D♭ Major | 4 | 3B | 113 BPM | ||
| What Purpose | Flock, Bex Burch, Sarathy Korwar, Danalogue, Al MacSween, Tamar Osborn | F♯ Major | 5 | 2B | 122 BPM | ||
| Body and Soul | Evolving Sound, Mike Reed, Nik Ammar | F♯ Major | 9 | 2B | 135 BPM | ||
| Cecilyum | WAAN | C Minor | 3 | 5A | 120 BPM | ||
| Eurydice | Laurence Pike | A Minor | 0 | 8A | 148 BPM |