"A Prelude to An Unnecessary Yet Tragically Banal Oratorio" by Johnathan Blake had its release date on September 19, 2025. With This song being less than two minutes long, at 1:51, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Johnathan Blake's "My Life Matters" album is number 3 out of 14. On top of that, United States appears to be the country where this track was created. In terms of popularity, A Prelude to An Unnecessary Yet Tragically Banal Oratorio is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of A Prelude to An Unnecessary Yet Tragically Banal Oratorio by Johnathan Blake to be Andante (at a walking pace) because the track has a tempo of 103 BPM, a half-time of 52BPM, and a double-time of 206 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Requiem for Dreams Shattered | Johnathan Blake | D♭ Major | 3 | 3B | 103 BPM | ||
| An Offering | Phi-Psonics | C Major | 1 | 8B | 97 BPM | ||
| Body And Soul | Jason Moran | D♭ Major | 0 | 3B | 101 BPM | ||
| Spaces | Gregory Groover Jr., Joel Ross, Paul Cornish, Harish Raghavan, Kendrick Scott | B Minor | 6 | 10A | 127 BPM | ||
| Woodpecker | Tingvall Trio | D Minor | 4 | 7A | 144 BPM | ||
| Hidden Island | Morten Schantz, Morten Ankarfeldt, Janus Templeton | C Major | 1 | 8B | 135 BPM | ||
| Love Theme from Summer of 42 | Ronnie Cuber, Helen Sung, Boris Kozlov, Johnathan Blake | F Minor | 0 | 4A | 127 BPM | ||
| Have a Day | Musicmusicmusic | E Major | 3 | 12B | 119 BPM | ||
| Harvest Moon | Alma Mićić, Tom Beckham, Rale Micic, Corcoran Holt, Johnathan Blake | G Minor | 6 | 6A | 109 BPM | ||
| Rip | Gerald Clayton, Justin Brown | F♯ Major | 0 | 2B | 131 BPM | ||
| Bye Nashville | Vicente Archer, Gerald Clayton, Bill Stewart | C Major | 3 | 8B | 103 BPM | ||
| The Solitary Seeker | Melissa Aldana | F♯ Minor | 3 | 11A | 122 BPM | ||
| Catalysts | Brian Blade & The Fellowship Band | D♭ Minor | 5 | 12A | 93 BPM | ||
| Game Changers | The Vampires, Chris Abrahams | A♭ Minor | 1 | 1A | 103 BPM | ||
| I Still Have A Dream | Johnathan Blake | D♭ Major | 3 | 3B | 103 BPM | ||
| Thème et variations #1 | Tom Bourgeois, Alex Koo, Lennart Heyndels, Théo Lanau | A♭ Major | 1 | 4B | 76 BPM | ||
| FRAGMENTS | 松井 秀太郎, Walter Blanding, Guy Moskovich, Ben Wolfe, Johnathan Blake | B♭ Major | 0 | 6B | 76 BPM | ||
| Footprints | Petros Klampanis | B♭ Minor | 2 | 3A | 123 BPM | ||
| Adam | Helge Lien Trio, Tore Brunborg | A♭ Major | 1 | 4B | 168 BPM | ||
| Song For Anilou | EYM Trio | A Major | 1 | 11B | 79 BPM | ||
| Song for Jojo | Grégory Privat | B Minor | 2 | 10A | 131 BPM | ||
| Colours | Fred Nardin Trio | B♭ Minor | 6 | 3A | 104 BPM | ||
| Where We've Been | Phi-Psonics | B♭ Minor | 2 | 3A | 103 BPM | ||
| Für Flopsen | Anton Goudsmit | C Minor | 1 | 5A | 107 BPM | ||
| Softly As in a Morning Sunrise | Kenny Barron, Johnathan Blake | B♭ Minor | 1 | 3A | 85 BPM |