"Commander Awakens" by Tim Wynn had its release date on February 5, 2016. The duration of This song is about 3 minutes long, at 3:23. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of XCOM 2 (Original Soundtrack from the Video Game) by Tim Wynn. The song's track number on the album is #25 out of 29 tracks. Based on our data, Turks and Caicos Islands was the country where this track was produced or recorded. Commander Awakens is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Commander Awakens by Tim Wynn has a tempo of 80 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Commander Awakens being at 80 BPM, the half-time would be 40 BPM with a double-time of 160 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Grakata | Keith Power | B Minor | 7 | 10A | 117 BPM | ||
| The March Of Profits | Paradox Interactive, Martin Hall | G Major | 4 | 9B | 86 BPM | ||
| Bad Robots | Tim Wynn | A Minor | 8 | 8A | 130 BPM | ||
| V Has Come To | Ludvig Forssell | G Minor | 3 | 6A | 118 BPM | ||
| Eagle Claw, Pt. 1 | Sean Murray | A♭ Major | 5 | 4B | 130 BPM | ||
| Combat in the Ruins | Stuart Chatwood | G Major | 9 | 9B | 150 BPM | ||
| In Light We Walk | Knut Avenstroup Haugen, The Budapest Scoring Orchestra and Choir | D Minor | 5 | 7A | 98 BPM | ||
| Kenabres Battle Theme | Dmitry V. Silantyev | B♭ Major | 7 | 6B | 85 BPM | ||
| Duty Without End Outro | Steve Molitz | C Minor | 4 | 5A | 77 BPM | ||
| Antonius Atropatene Vincit | Simon Ravn | C Major | 5 | 8B | 141 BPM | ||
| The Red Tide (Main Theme) | Alex Cottrell | D Minor | 3 | 7A | 97 BPM | ||
| The Last Autumn Theme | Piotr Musiał | F Minor | 4 | 4A | 86 BPM | ||
| Light of Heaven | Dmitry V. Silantyev | F Major | 3 | 7B | 71 BPM | ||
| Hope Is Lost | Tim Wynn | A Major | 6 | 11B | 85 BPM | ||
| Requiem | Neil Davidge | D♭ Major | 3 | 3B | 84 BPM | ||
| 通常戦闘 - ヴェルムント地方 | 木村華 | B♭ Major | 5 | 6B | 120 BPM | ||
| Mobilize | Jeff van Dyck | D Major | 7 | 10B | 180 BPM | ||
| Intrepid | Steve Molitz | C Minor | 4 | 5A | 77 BPM | ||
| Adrenaline Overdrive | Jason Solowsky | F Minor | 5 | 4A | 157 BPM | ||
| 強敵との交戦 | 木村華 | D♭ Major | 6 | 3B | 138 BPM | ||
| Ackerman on the Move | Tim Wynn | C Major | 6 | 8B | 120 BPM | ||
| Semper Servientes (Main Theme) | Pawel Perepelica | D Minor | 5 | 7A | 98 BPM | ||
| Streets of New London | Piotr Musiał | C Minor | 3 | 5A | 83 BPM | ||
| Battle of Akragas | Richard Beddow | D Major | 0 | 10B | 170 BPM | ||
| Last Judgment | 中島健太郎 | C Major | 7 | 8B | 150 BPM |