G.P. テレマン, ピノ・エテルナ, エリカ・シュトローブル(ギター), 松永一文(ギター)'s ' "Partie Polonoise: II. Harlequinade" was released on its scheduled release date, March 25, 2004. With This song being less than two minutes long, at 1:48, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in ピノ・エテルナ, エリカ・シュトローブル(ギター), 松永一文(ギター)'s "Italian Concerto" album is number 12 out of 17. On top of that, Japan appears to be the country where this track was created. Partie Polonoise: II. Harlequinade is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Partie Polonoise: II. Harlequinade by G.P. テレマン, ピノ・エテルナ, エリカ・シュトローブル(ギター), 松永一文(ギター) to be Adagio (slowly with great expression) because the track has a tempo of 76 BPM, a half-time of 38BPM, and a double-time of 152 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Stabat Mater: Stabat mater dolorosa (arr. J. Lloyd Webber for 2 cellos and harp) | Giovanni Battista Pergolesi, Julian Lloyd Webber, Jiaxin Lloyd Webber, Catrin Finch | D Minor | 0 | 7A | 60 BPM | ||
| Rosenkranzsonate No. 1 in D Minor, C 90 "The Annunciation": III. Adagio - Finale | Heinrich Ignaz Franz von Biber, Gunar Letzbor, Ars Antiqua Austria | F♯ Minor | 0 | 11A | 77 BPM | ||
| I. Allegro non molto | Antonio Vivaldi, Barthold Kuijken, Indianapolis Baroque Orchestra | B♭ Minor | 1 | 3A | 87 BPM | ||
| Sonata for Violin & Harp, Op. 113 (Version for Flute & Harp): III. Rondo. Allegretto | Louis Spohr, András Adorján, Marielle Nordmann | E Major | 1 | 12B | 60 BPM | ||
| Overture For Viola D'amore & Orchestra in D Minor, GWV 426: II. Rondeau | Christoph Graupner, Les idées heureuses, Hélène Plouffe, Geneviève Soly | D♭ Minor | 1 | 12A | 121 BPM | ||
| Desolate Nights | Orithia | D♭ Major | 1 | 3B | 101 BPM | ||
| Concerto grosso in G Minor, Op. 6 No. 8 "Fatto per la Notte di Natale": III. Adagio | Arcangelo Corelli, I Musici | F Major | 2 | 7B | 88 BPM | ||
| Sonata in G Major for viola da gamba - Adagio | Carl Friedrich Abel, Move Records, The Marais Project | G Minor | 0 | 6A | 67 BPM | ||
| Fantasia, VdGS No. 4 | Thomas Brewer, Ricercar Consort, Philippe Pierlot | B Minor | 1 | 10A | 75 BPM | ||
| Trio Sonata in A Minor, BuxWV 272 | Dietrich Buxtehude, Ensemble Masques, Sophie Gent, Mélissande Corriveau, Olivier Fortin | A Minor | 2 | 8A | 171 BPM | ||
| Sonata No. 1 in C Major (REINVENTED for Solo Flute by LUCA ASTOLFONI FOSSI): III. Variation II | Saverio Mercadante, Claudio Ferrarini | A Major | 2 | 11B | 142 BPM | ||
| Oboe Concerto in F major after BWV 49 & 169: Siciliano | Johann Sebastian Bach, Hans-Peter Westermann | D Major | 2 | 10B | 107 BPM | ||
| 無伴奏フルートのための12のファンタジー 第9番 ホ長調 | G.P. テレマン, 工藤重典(フルート) | A Major | 1 | 11B | 76 BPM | ||
| Flute Sonata in G Major, Op. 1 No. 5, HWV 363b: I. Adagio | George Frideric Handel, Hans-Martin Linde, Karl Richter, Johannes Koch | G Major | 1 | 9B | 74 BPM | ||
| The Kingdom of Silence | Anastasiia Shevchenko | G Minor | 1 | 6A | 69 BPM | ||
| Violin Concerto No. 3 in A Major, Hob. VIIa:3: II. Adagio moderato | Joseph Haydn, Augustin Hadelich, Kolner Kammerorchester, Helmut Müller-Brühl | C Minor | 1 | 5A | 111 BPM | ||
| Trio Sonatas, Op. 2, Trio Sonata No. 1 in E Minor: I. Adagio | Jean-Joseph Cassanéa De Mondonville, Ensemble Diderot, Johannes Pramsohler | C Major | 1 | 8B | 97 BPM | ||
| Trio Sonata in E Minor: III. Adagio | Johann Rosenmüller, Anna Holbling, Quido Holbling, Jozef Zsapka | G Major | 0 | 9B | 83 BPM | ||
| Sonata in F Major, TWV 40:103: III. Largo | Georg Philipp Telemann, Michala Petri | G Major | 1 | 9B | 83 BPM | ||
| Introduzione e 6 Variazioni Brillanti, Op. 23 (REINVENTED for Solo Flute by LUCA ASTOLFONI FOSSI):III. Variazione I | Ernst Krähmer, Claudio Ferrarini | A Major | 2 | 11B | 142 BPM | ||
| Pièces de clavecin, Suite in E, RCT 2: La Villageoise. Rondeau | Jean-Philippe Rameau, Constance Luzzati | G Minor | 1 | 6A | 82 BPM | ||
| フルート・ソナタ ヘ短調 (忠実な音楽の師より) III. Andante | G.P. テレマン, 工藤重典(フルート), リチャード・シーゲル(チェンバロ) | A Major | 2 | 11B | 142 BPM | ||
| Suite in G Minor: IV. Muzette | Michel Richard Delalande, Vincent Dumestre, Le Poème Harmonique | F Minor | 2 | 4A | 87 BPM | ||
| Hada pequeña | Quartetto Fancelli | D Minor | 3 | 7A | 119 BPM | ||
| Rosenkranzsonate No. 6 in C Minor, C 95 "The Agony in the Garden": Ic. Adagio | Heinrich Ignaz Franz von Biber, Gunar Letzbor, Ars Antiqua Austria | F♯ Minor | 0 | 11A | 77 BPM |