The Tender Land Act II: Finale by Aaron Copland, Boston Symphony Orchestra, Cleveland Pops Orchestra, Columbia Symphony Orchestra, Philadelphia Orchestra Song Details

"The Tender Land Act II: Finale" by Aaron Copland, Boston Symphony Orchestra, Cleveland Pops Orchestra, Columbia Symphony Orchestra, Philadelphia Orchestra had its release date on November 28, 2014. This song is about six minutes long, preciously at 5:36, making this song fairly long compared to other songs. The song is number 7 out of 9 in American Compositions by New York Philharmonic Orchestra, Louis Lane, Andre Kostelanetz, Aaron Copland, Eugene Ormandy, Leonard Bernstein, Cleveland Pops Orchestra, Boston Symphony Orchestra, Columbia Symphony Orchestra, Philadelphia Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. The Tender Land Act II: Finale is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

The tempo marking of The Tender Land Act II: Finale by Aaron Copland, Boston Symphony Orchestra, Cleveland Pops Orchestra, Columbia Symphony Orchestra, Philadelphia Orchestra is Larghetto (rather broadly), since this song has a tempo of 66 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.

Music Key

F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 9%
Loudness: -20.127 dB
Acousticness: 98%
Danceability: 6%
Energy: 10%
Instrumentalness: 74%
Liveness: 8%
Loudness: 66%
Speechiness: 4%
Valence: 4%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Holberg Suite, Op. 40: II. Sarabande. Andante	Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi	G Major	0	9B	75 BPM
Symphony No. 1 in E Minor: III. Juba Dance	Florence Beatrice Price, Fort Smith Symphony, John Jeter	F Major	2	7B	111 BPM
Suite No. 1, Op. 13: III. Nocturne	New Zealand Symphony Orchestra, Jules Massenet	A♭ Major	0	4B	85 BPM
Mahler: Blumine	Gustav Mahler, San Francisco Symphony, Michael Tilson Thomas	C Major	1	8B	100 BPM
Saint-Saens, Organ Symphony, Finale	Philharmonia La Seine	F Major	4	7B	150 BPM
Capriol Suite: 5. Pied-en- l'air	Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner	G Major	1	9B	113 BPM
Ancient Airs & Dances, Suite III, P. 172: I. Italiana (Anonymous)	Ottorino Respighi, Filarmonica della Scala, Riccardo Chailly	B♭ Major	1	6B	172 BPM
Sibelius: Symphony No. 5 in E-Flat Major, Op. 82: I. Tempo molto moderato	Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony Orchestra	E♭ Major	1	5B	83 BPM
Simple Gifts	Aaron Copland, David L. Brunner, National Youth Choir of Scotland, Royal Scottish National Orchestra, Christopher Bell	A♭ Major	1	4B	133 BPM
2 Pieces for Small Orchestra: No. 1, On Hearing the First Cuckoo in Spring	Frederick Delius, Royal Scottish National Orchestra, David Lloyd-Jones	E Minor	0	9A	79 BPM
3 Concert Études, S. 144: No. 3 in D-Flat Major, "un sospiro"	Franz Liszt, William Wolfram	D♭ Major	2	3B	65 BPM
The Planets, Op. 32: VI. Uranus, the Magician	Gustav Holst, Berliner Philharmoniker, Herbert von Karajan	C Major	3	8B	110 BPM
English Suite: Jaunt	Paul Lewis, Royal Northern Sinfonia, David Lloyd-Jones	C Major	2	8B	125 BPM
Symphony No. 6 in B Minor, Op. 74, 'Pathetique': II. Allegro con grazia	Pyotr Ilyich Tchaikovsky, Royal Liverpool Philharmonic Orchestra, Domingo Hindoyan	B Minor	1	10A	74 BPM
blue cathedral	Jennifer Higdon, Atlanta Symphony Orchestra, Robert Spano	G Major	1	9B	84 BPM
English Pastoral Impressions: I. Spring Morning	John Farrar, Alasdair Mitchell, Philharmonic Orchestra, Howard Shelley	E♭ Major	0	5B	101 BPM
Appalachia Waltz	Mark O'Connor, Yo-Yo Ma & The Silk Road Ensemble, Edgar Meyer	D Major	0	10B	76 BPM
Scherzo à la russe: Scherzo a la russe (original Jazz band version) [Original Jazz band Version]	Igor Stravinsky, Orchestra of St. Luke's, Robert Craft	B Minor	1	10A	61 BPM
Overture "A Midsummer Night's Dream", Op. 21	Felix Mendelssohn, Boston Symphony Orchestra, Seiji Ozawa	E Major	1	12B	139 BPM
Karelia Suite, Op. 11: II. Ballade. Tempo di menuetto	Jean Sibelius, New Zealand Symphony Orchestra, Pietari Inkinen	A Minor	1	8A	59 BPM
Billy the Kid: No. 6, Celebration	Aaron Copland, Colorado Symphony, Andrew Litton	D Major	0	10B	92 BPM
Hungarian Dance No.1 in G minor - Orchestrated by Brahms: Allegro molto	Johannes Brahms, Chicago Symphony Orchestra, Daniel Barenboim	G Minor	2	6A	65 BPM
Serenade for Strings in E Minor, Op. 20: III. Allegretto	Edward Elgar, Orpheus Chamber Orchestra	E♭ Major	0	5B	68 BPM
Tristan und Isolde, Act III: Liebestod (Concert Version)	Richard Wagner, Berliner Philharmoniker, Herbert von Karajan	B Major	2	1B	94 BPM
The Bartered Bride: Overture	Bedřich Smetana, BBC Symphony Orchestra, Jiří Bělohlávek	F Major	2	7B	145 BPM