Concrete Blonde's 'End Of The Line' had a release date set for October 19, 1993. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Concrete Blonde's "Mexican Moon" album is number 11 out of 13. On top of that, United States appears to be the country where this track was created. End Of The Line is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of End Of The Line by Concrete Blonde to be Andante (at a walking pace) because the track has a tempo of 78 BPM, a half-time of 39BPM, and a double-time of 156 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ghost Of A Texas Ladies Man | Concrete Blonde | C Minor | 9 | 5A | 126 BPM | ||
| Vigilante Man | Hindu Love Gods | B♭ Major | 7 | 6B | 99 BPM | ||
| Sweet Sweet Baby (I'm Falling) | Lone Justice | C Major | 7 | 8B | 128 BPM | ||
| Ruby Lane | Milla Jovovich | D Major | 3 | 10B | 138 BPM | ||
| Might Be In Love | Juliana Hatfield | F Major | 5 | 7B | 120 BPM | ||
| Mercenary | The Go-Go's | D Major | 6 | 10B | 174 BPM | ||
| I Know You Well | Ian McCulloch | A Major | 4 | 11B | 111 BPM | ||
| Gone | Dora Elsie | A Minor | 2 | 8A | 79 BPM | ||
| Run Run Run | Concrete Blonde | D Minor | 10 | 7A | 82 BPM | ||
| Weary Blues From Waitin' | The The | B♭ Major | 2 | 6B | 100 BPM | ||
| You and I | The Phantom Chords | E♭ Minor | 7 | 2A | 185 BPM | ||
| Someday? | Concrete Blonde | C Major | 7 | 8B | 108 BPM | ||
| Misguided Angel | Cowboy Junkies | C Major | 1 | 8B | 96 BPM | ||
| Charlotte Anne | Julian Cope | G Major | 7 | 9B | 170 BPM | ||
| Love School | Divinyls | B♭ Minor | 6 | 3A | 103 BPM | ||
| Suddenly Mary | The Posies | C Major | 6 | 8B | 115 BPM | ||
| Walking In London | Concrete Blonde | E Minor | 8 | 9A | 96 BPM | ||
| Kisses | Tracy Bonham | A Minor | 3 | 8A | 136 BPM | ||
| Free To Fall | Debbie Harry | D♭ Minor | 5 | 12A | 107 BPM | ||
| Then She Did... | Jane's Addiction | D Major | 6 | 10B | 188 BPM | ||
| You Don't Know | Berlin | G Minor | 4 | 6A | 103 BPM | ||
| Woman To Woman | Concrete Blonde | D Minor | 7 | 7A | 114 BPM | ||
| Sky | Bruno Alerander | F♯ Minor | 3 | 11A | 136 BPM | ||
| City Screaming | Concrete Blonde | D Major | 9 | 10B | 146 BPM | ||
| Crystal Wrists | Peter Murphy | G Major | 6 | 9B | 123 BPM |