ベルリン交響楽団、ゲルハルト・ベッカー(指揮), ゲルハルト・ベッカー(指揮)'s 'スケーターズ・ワルツ 作品183(ショート・ヴァージョン)' had a release date set for March 22, 2017. The duration of This song is about 3 minutes long, at 3:15. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There is only one song in こどもクラシック:踊り 大好き!, so we believe that "スケーターズ・ワルツ 作品183(ショート・ヴァージョン)" is a single. The popularity of スケーターズ・ワルツ 作品183(ショート・ヴァージョン) is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of スケーターズ・ワルツ 作品183(ショート・ヴァージョン) by ベルリン交響楽団、ゲルハルト・ベッカー(指揮), ゲルハルト・ベッカー(指揮) is Presto (very, very fast), since this song has a tempo of 185 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Fata morgana, Op. 330: Polka Mazurka | Johann Strauss II, Rundfunkorchester des Südwestfunk, Klaus Arp | F Major | 1 | 7B | 112 BPM | ||
| Ponchielli: La Gioconda, Op. 9, Act 3: Dance of the Hours (Excerpt) | Amilcare Ponchielli, Sir Neville Marriner, Academy of St. Martin in the Fields | E Major | 0 | 12B | 79 BPM | ||
| Cosmic Serenade | Astrid Voix | C Major | 3 | 8B | 94 BPM | ||
| Bellini: I puritani: Introduzione (Orchestra) | Vincenzo Bellini, Dresdner Philharmonie, Riccardo Frizza | D Major | 5 | 10B | 136 BPM | ||
| Raymonda, Act I: Valse fantastique | Alexander Glazunov, Kivov Orchestra, Viktor Fedotov | F Major | 1 | 7B | 180 BPM | ||
| Prelude from La Traviata | George Carlaw | A♭ Major | 1 | 4B | 82 BPM | ||
| Coppélia / Tableau 2: No. 9 Scène (L'atelier de Coppélius) | Léo Delibes, Orchestre de la Suisse Romande, Richard Bonynge | C Major | 1 | 8B | 133 BPM | ||
| Tales of Beatrix Potter - Music from the Royal Ballet film: The Tale of Jemima Puddle-Duck | John Lanchbery, Orchestra of the Royal Opera House, Covent Garden | A♭ Major | 2 | 4B | 128 BPM | ||
| Frühlingsstimmenwalzer | Vienna Walzer Orchestra | C Minor | 1 | 5A | 104 BPM | ||
| Bombones de Viena | George Henkla | F Major | 2 | 7B | 182 BPM | ||
| Gruss an Wien, Polka francaise, Op. 225 | Johann Strauss II, Austrian Radio Symphony Orchestra, Peter Guth | C Major | 1 | 8B | 87 BPM | ||
| Le Corsaire, Pas de deux: IV. Coda (Arr. J. Lanchberry) | Riccardo Drigo, Ludwig Minkus, Sofia National Opera Orchestra, Boris Spassov | B♭ Major | 3 | 6B | 137 BPM | ||
| Feuerfestpolka | Johann Strauss, Caffè Concerto Strauss, Cristian Pintilie | D Major | 3 | 10B | 101 BPM | ||
| Tales of Beatrix Potter - Music from the Royal Ballet film: The Tale of Jeremy Fisher (extract) | John Lanchbery, Orch.Of Royal Opera House Covent Garden, Orchestra of the Royal Opera House, Covent Garden | C Major | 2 | 8B | 103 BPM | ||
| Az intezett veszedelem vagy Hazy szeretete (Threatening Danger or Love of the Fatherland): VI. Az el menes [Marching off] | Antal Gyorgy Csermak, Budapest Strings, Karoly Botvay | D Major | 1 | 10B | 149 BPM | ||
| Chris and the Wonderful Lamp: Jack Tar | John Philip Sousa | F♯ Major | 2 | 2B | 114 BPM | ||
| Ohne Bremse, Op. 238: Ohne Bremse, Polka schnell, Op. 238 | Eduard Strauss, Slovak State Philharmonic Orchestra, Mika Eichenholz | D Major | 4 | 10B | 145 BPM | ||
| Gold und Silber, Op. 79: Gold und Silber (Gold and Silver), Op. 79: Waltz | Franz Lehár, Budapest Symphony Orchestra, Géza Oberfrank | F Major | 0 | 7B | 81 BPM | ||
| Vienna Sweets Waltz, Op. 307 | Orchestra of the Viennese Volksoper & Alfred Scholz | F Major | 0 | 7B | 182 BPM | ||
| Hérold & Lanchbery: La fille mal gardée, Act 1: No. 16e, Pas de deux de Fanny Elssler. Coda | Ferdinand Hérold, John Lanchbery, Royal Liverpool Philharmonic Orchestra, Barry Wordsworth | F Major | 3 | 7B | 151 BPM | ||
| Le Corsaire: Pas d Esclave - Coda | Prince Pyotr Von Oldenburg, English National Ballet Philharmonic, Gavin Sutherland | E Major | 1 | 12B | 143 BPM | ||
| Die Perle von Iberien: Estudiantina Polka | Joseph Hellmesberger, Jr., Czech Philharmonic Chamber Orchestra, John Georgiadis | B♭ Major | 0 | 6B | 153 BPM | ||
| Paulli: Pas de deux from "Flower Festival in Genzano" (adapted from Matthias Strebinger's "Pas de deux" for "Napoli" Ballet of Bournonville): No. 3, Variation I (based on a Waltz from Adolphe Adam's "Le Diable … quatre") | Edvard Helsted, Holger Simon Paulli, Copenhagen Philharmonic Orchestra/Ole Schmidt, Ole Schmidt, Copenhagen Philharmonic Orchestra | B♭ Major | 2 | 6B | 109 BPM | ||
| Giselle, Act I: Pas seul - Pas de deux des jeunes paysans | Adolphe Adam, Academy of St. Martin in the Fields, Sir Neville Marriner | F Major | 0 | 7B | 71 BPM | ||
| Delibes: Coppélia, Act I: No. 1, Valse | Léo Delibes, Jean-Baptiste Mari, Orchestre de l'Opéra National de Paris | E♭ Major | 1 | 5B | 143 BPM |