Into It. Over It.'s 'The Frames That Used To Greet Me' had a release date set for 2011. The duration of This song is about two minutes long, specifically at 2:09. This song does not appear to have any foul language. The Frames That Used To Greet Me's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 12 in the song's album "Proper". In this album, this song's track order is #12. Furthermore, we believe that the track originated from United States. Based on our statistics, The Frames That Used To Greet Me's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With The Frames That Used To Greet Me by Into It. Over It. having a BPM of 124 with a half-time of 62 BPM and a double-time of 248 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 1/4.
This song is in the music key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Maybe You, No One Else Worth It | Brave Bird | E Major | 8 | 12B | 120 BPM | ||
| Emotional Violence | Creeks | G Major | 2 | 9B | 105 BPM | ||
| Sol Solis | Moving Mountains | B Minor | 3 | 10A | 85 BPM | ||
| Always Focused | Tiny Moving Parts | D♭ Major | 8 | 3B | 143 BPM | ||
| Mother Make Me Golden | Dear and the Headlights | F♯ Major | 4 | 2B | 138 BPM | ||
| A Long Goodbye | Bogues | F♯ Major | 5 | 2B | 118 BPM | ||
| Big Hat | Everyone Everywhere | D Major | 8 | 10B | 95 BPM | ||
| Campfire Kansas | The Get Up Kids | E♭ Major | 4 | 5B | 79 BPM | ||
| The Fifties | You Blew It! | D♭ Major | 6 | 3B | 136 BPM | ||
| Grayscale | Tiny Moving Parts | A♭ Minor | 9 | 1A | 146 BPM | ||
| Floorboards (Acoustic) | Real Friends | E♭ Major | 5 | 5B | 80 BPM | ||
| Living Up To Let You Down | Into It. Over It. | F♯ Major | 7 | 2B | 130 BPM | ||
| No, We're Not Actually | Dads | D Major | 8 | 10B | 107 BPM | ||
| To the Sun | Grandview | E Minor | 5 | 9A | 132 BPM | ||
| Slow But Sure | Pentimento | B Major | 9 | 1B | 164 BPM | ||
| Scottie Spliffen | Dikembe | C Major | 8 | 8B | 160 BPM | ||
| Never Meant | Owen | F♯ Minor | 8 | 11A | 114 BPM | ||
| Figure It Out | The Early November | D♭ Major | 3 | 3B | 120 BPM | ||
| Grapefruit | Aaron West and The Roaring Twenties | C Major | 5 | 8B | 167 BPM | ||
| Kill Me | Posture & the Grizzly | F♯ Major | 8 | 2B | 126 BPM | ||
| It's Okay | Pentimento | D Major | 9 | 10B | 82 BPM | ||
| Cactus in the Rain | Marlia | A Major | 3 | 11B | 142 BPM | ||
| Quarter Life | rationale. | F♯ Major | 7 | 2B | 132 BPM | ||
| An Introduction to the Album | The Hotelier | E♭ Major | 5 | 5B | 110 BPM | ||
| Patron Without Funds | Dryjacket | A♭ Major | 8 | 4B | 122 BPM |