"In a Way Shes a Hybrid" by Murray Gold had its release date on April 27, 2018. With This song being less than two minutes long, at 1:27, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 18 out of 63 in Doctor Who - Series 9 (Original Television Soundtrack) by Murray Gold. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In a Way Shes a Hybrid is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of In a Way Shes a Hybrid by Murray Gold is Andante (at a walking pace), since this song has a tempo of 80 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Thunderbirds Are Go! | Barry Gray, Hans Zimmer | D Major | 5 | 10B | 130 BPM | ||
| Flint Returns | Mark Mothersbaugh | C Major | 2 | 8B | 80 BPM | ||
| Doctor Who Theme - Gallifrey One Remix | Dominic Glynn, Syzygy | A Major | 7 | 11B | 103 BPM | ||
| Gordon's Theme | David Russo, Graeme Revell | C Major | 1 | 8B | 89 BPM | ||
| Molestias | Caballeros del Mal | F Major | 1 | 7B | 143 BPM | ||
| Creating The Inn | Ilan Eshkeri, London Metropolitan Orchestra, Andy Brown | A♭ Major | 2 | 4B | 91 BPM | ||
| Final Struggle and Triumph | Angela Morley | C Major | 3 | 8B | 115 BPM | ||
| Ragnarok Suite | Mark Mothersbaugh | D Minor | 4 | 7A | 71 BPM | ||
| Warring States I | Akihiro Manabe | C Minor | 5 | 5A | 99 BPM | ||
| Suite From The Nox | Original Soundtrack | C Major | 1 | 8B | 121 BPM | ||
| Setting the Trap | Christopher Willis | G Major | 3 | 9B | 74 BPM | ||
| What Lies At The Dream's End | Daniel Pemberton | D Minor | 3 | 7A | 87 BPM | ||
| Doomsday from "Doctor Who" | The Meridian Studio Ensemble | A♭ Major | 2 | 4B | 200 BPM | ||
| A Life of Sunday | Keiran Berry, Murray Gold | F Major | 1 | 7B | 73 BPM | ||
| Legend of Bionicle | Nathan Furst | D♭ Major | 3 | 3B | 73 BPM | ||
| I'd Hoped There'd Be Stars | Jack Dalton | A♭ Major | 3 | 4B | 124 BPM | ||
| Agents of S.H.I.E.L.D. Overture | Bear McCreary | D♭ Major | 5 | 3B | 96 BPM | ||
| Timeless | Mahwash Faroni, Moowash | A Major | 3 | 11B | 95 BPM | ||
| Struggle | Conor Randon, Moblodok | B Major | 1 | 1B | 63 BPM | ||
| The War Doctor | HardWire | F♯ Major | 7 | 2B | 138 BPM | ||
| Rockwell’s Theme | Gareth Coker | F♯ Major | 2 | 2B | 90 BPM | ||
| The Last Giant Piece | Michael Kamen | F Major | 1 | 7B | 105 BPM | ||
| Skeleton Crew End Credits | Mick Giacchino | C Major | 2 | 8B | 130 BPM | ||
| Alien DNA | Bear McCreary | B Major | 2 | 1B | 85 BPM | ||
| All the Small Things | Amil Hashimov, Ryan | G Minor | 2 | 6A | 85 BPM |