On November 1, 1995, the song "Anguri Se To To Ghusave" was released by Barkha Rani. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Barkha Rani, Bhagwan Das Sharma's "Jawaniya Samhaal" album is number 1 out of 9. On top of that, India appears to be the country where this track was created. In terms of popularity, Anguri Se To To Ghusave is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Anguri Se To To Ghusave by Barkha Rani to be Moderato (at a moderate speed) because the track has a tempo of 109 BPM, a half-time of 54BPM, and a double-time of 218 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Tate Sabarire Neijibi | Shakti Mishra | C Minor | 9 | 5A | 150 BPM | ||
| Misht Mishti Kotha | S I Tutul, Doly Sayontoni | G Major | 9 | 9B | 130 BPM | ||
| Ka Kair Dele Sanam | Azad Ansari | A Minor | 9 | 8A | 128 BPM | ||
| Kahe Bola Le Re Selam | Mitali Ghos | E Minor | 8 | 9A | 145 BPM | ||
| Kehu Nahi Jaane Samaiya Ke Khela | Madhukar Anand | E♭ Minor | 6 | 2A | 124 BPM | ||
| Aaya Sikhla - Original | Phylaw, Nirola, NA | F♯ Minor | 6 | 11A | 130 BPM | ||
| Adorer Moyouri | Sharif Uddin | B♭ Major | 10 | 6B | 95 BPM | ||
| Sun O Diwani Turi | Sanjay Surila, Pammi Sagrika | G Major | 8 | 9B | 129 BPM | ||
| Misirji Chhotki Tohar Dhiya | Mohan Rathod, Indu Sonali | D Major | 10 | 10B | 160 BPM | ||
| Maya Prit Ke Sankri Ma Bandhe | Prem Anand Chauhan, Purvi Chandrakar | D♭ Minor | 8 | 12A | 80 BPM | ||
| Goriya Chaal Tohar Matwali - Remix | Pawan Singh, Priyanka Singh, Madhukar Anand | E Minor | 8 | 9A | 94 BPM | ||
| Soch Tor Hifi - Nagpuri | Shrawan Ss | B Minor | 8 | 10A | 79 BPM | ||
| Aai Geli Radimade Sab Chhori | Azaad Ansari, Mitali | F♯ Major | 5 | 2B | 136 BPM | ||
| Jaat Baai Saiyan Bahra | Rekha Rani, Barkha Rani | B♭ Minor | 6 | 3A | 162 BPM | ||
| Laig Gelak Mircha | Nitesh Kachhap, Sonali Tirkey | A Minor | 9 | 8A | 77 BPM | ||
| Kerumoni thuriya | Mahendra Hazarika | F♯ Major | 9 | 2B | 102 BPM | ||
| Kanchan Kachnar Gori | Sanjay Surila | G Major | 8 | 9B | 120 BPM | ||
| Nimiya Ke Gachiya | Pawan Singh | B♭ Minor | 9 | 3A | 93 BPM | ||
| Jabore Raurkela | Ruku Sona | C Major | 7 | 8B | 121 BPM | ||
| A Wo Diwani | MAMTA CHANDRAKAR, Aakash Chandrakar | E♭ Major | 8 | 5B | 155 BPM | ||
| Ja Re Bewafaa - Original | Kundal K Chhura, Manbi, NA | B♭ Minor | 7 | 3A | 136 BPM | ||
| O Malik Sai | Kukila Sarkar | F♯ Minor | 9 | 11A | 77 BPM | ||
| Mahua Re Mahua Phulay Gel | Pankaj | D Minor | 9 | 7A | 145 BPM | ||
| Kaisan Jangal He | Dilip Lahariya, Rajkumari Chauhan | E Major | 8 | 12B | 133 BPM | ||
| Kaske Jala Bada Bujhala | Barkha Rani | D♭ Minor | 9 | 12A | 162 BPM |