"In the Bleak Midwinter" by Brian Kennedy had its release date on November 1, 2018. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 9 out of 14 in Christmassy Deluxe Edition by Brian Kennedy. Going off of the ISRC code of this track, we detected that the origin of this track is from Ireland. The popularity of In the Bleak Midwinter is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of In the Bleak Midwinter by Brian Kennedy is Vivace (lively and fast), since this song has a tempo of 168 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 1/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Boston | Mick Flannery | D Major | 2 | 10B | 62 BPM | ||
| Down by the Salley Gardens | Maura O'Connell | G Major | 1 | 9B | 75 BPM | ||
| We Didn't Mean To Go To Sea | Declan O'Rourke | D Major | 4 | 10B | 97 BPM | ||
| Dublin in The Rare Auld Times | Onóir | B♭ Major | 3 | 6B | 100 BPM | ||
| The Contender | Tommy Fleming | A♭ Major | 2 | 4B | 146 BPM | ||
| Sea Swimming | Jack O'Rourke | D Major | 2 | 10B | 131 BPM | ||
| Out Of My Head | Kieran Goss | F♯ Major | 6 | 2B | 88 BPM | ||
| And so I Will Wait for You | Brian Kennedy | A Major | 4 | 11B | 135 BPM | ||
| Here Beside Me | The Henry Girls | A Major | 2 | 11B | 90 BPM | ||
| Talk to Me While I'm Listening | Frances Black | A Major | 1 | 11B | 71 BPM | ||
| Tell Me It's Not True | Barbara Dickson | F Major | 3 | 7B | 124 BPM | ||
| When You Were Sweet Sixteen | Onóir | B♭ Major | 3 | 6B | 200 BPM | ||
| Building up and Tearing England Down | Aoife Scott | A♭ Major | 3 | 4B | 188 BPM | ||
| You Couldn't Have Come at a Better Time | Luka Bloom | G Major | 5 | 9B | 103 BPM | ||
| Hollow | Brian Kennedy | D Major | 7 | 10B | 126 BPM | ||
| How We Love | Beth Nielsen Chapman | F♯ Major | 2 | 2B | 71 BPM | ||
| The Hills of South Armagh | Frances Black, Aoife Scott | D Major | 1 | 10B | 105 BPM | ||
| Captured | Brian Kennedy | A Major | 7 | 11B | 99 BPM | ||
| Hollow | Brian Kennedy | E♭ Major | 3 | 5B | 127 BPM | ||
| Blackbird | Sharon Shannon | D Major | 4 | 10B | 80 BPM | ||
| Beautiful Affair | Stockton's Wing | G Major | 7 | 9B | 81 BPM | ||
| The Parting Glass | Tommy Fleming | B♭ Major | 1 | 6B | 78 BPM | ||
| Danny Boy - Live | Brian Kennedy | E Major | 1 | 12B | 91 BPM | ||
| The Only One For Me | John Spillane | G Major | 5 | 9B | 111 BPM | ||
| Ashokan Farewell | Aly Bain, Jay Ungar | D Major | 3 | 10B | 84 BPM |