On March 29, 2017, the song "Namisona" was released by Surekha, Shamitha. With This song being less than two minutes long, at 1:55, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 16 in the song's album "Sri Veerabhadreshwara Namadyana". In this album, this song's track order is #1. Furthermore, we believe that the track originated from India. The popularity of Namisona is currently not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Namisona by Surekha, Shamitha having a BPM of 173 with a half-time of 86 BPM and a double-time of 346 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
This song has a musical key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Nambidora Maneya | Jaggesh | A Minor | 9 | 8A | 106 BPM | ||
| Neelambari | Jhosef Ashapur, Shamitha, Sneha | E Major | 10 | 12B | 110 BPM | ||
| Banthamma Shukravaara | Surekha, Shamitha | D Major | 5 | 10B | 100 BPM | ||
| Bangari Singari | Jhosef Ashapur, Shamitha, Sneha | A Major | 6 | 11B | 145 BPM | ||
| Ame To Tara | Nidhi Dholakia | B♭ Minor | 4 | 3A | 144 BPM | ||
| Valigavo Swamy | M. S. Ravigowda, B. Jayashree, Nandita | G Minor | 6 | 6A | 171 BPM | ||
| Oh Maduvanthi | S. P. Balasubrahmanyam, Sujatha | D♭ Major | 5 | 3B | 169 BPM | ||
| Kila Kila Nagutha Baro | Vishnuvardhan, Manjula Gururaj, RAJAN - NAGENDRA, Chi. Udayashankar | G Major | 9 | 9B | 117 BPM | ||
| Benna Hinde - Reprise | B. Jayashree, Hamsalekha | B♭ Minor | 3 | 3A | 140 BPM | ||
| Atthe Maava Gange | Veerabhadra S. Soundi, Sujatha Dutt, Puttur Narasimha Nayak, Surekha, Pallavi, B. R. Chaya, Premalatha | D Minor | 6 | 7A | 182 BPM | ||
| Dang Dori Dang | Kumar Bhabesh | F♯ Major | 7 | 2B | 78 BPM | ||
| Prabhuve Mahaprabhuve Dayapalisu | Prithwi Bhat, Lokesh Gowda, Annamayya Keerthana | G Minor | 6 | 6A | 95 BPM | ||
| Jeeva Kolabyaada | Basavaraj Narendra, Divya | E Major | 5 | 12B | 117 BPM | ||
| Kodi Yogam | Srihari | F Minor | 8 | 4A | 108 BPM | ||
| Shri Bajrang Baan | Niranjan Sarda | C Major | 7 | 8B | 165 BPM | ||
| Matada Yenar | Muttu Halyal Singer | C Major | 8 | 8B | 105 BPM | ||
| Soma Varnane | Sowmya, Surekha | A♭ Minor | 7 | 1A | 161 BPM | ||
| Hogona Hogona | Guru Kiran, Shamitha | E♭ Minor | 9 | 2A | 95 BPM | ||
| Alabyada Alabyada | Shabbir Dange, B R Chaya | C Major | 7 | 8B | 78 BPM | ||
| Kaada Kudari Odi Bandiththa | Shimoga Subbanna | F Major | 7 | 7B | 140 BPM | ||
| Konda Kondala | Rama Devi | G Minor | 7 | 6A | 88 BPM | ||
| Ye Magicu | B. Jayashree, Sriranga | B♭ Minor | 8 | 3A | 97 BPM | ||
| Thali Bharkar Layi Khichdo | Sheetal Pandey | F♯ Major | 8 | 2B | 85 BPM | ||
| Yelu Kollada Yellamma | Sri Rangini, Chethan, Hamsalekha, Soundarya, Jayaprada, Saikumar, Prema | B Minor | 5 | 10A | 111 BPM | ||
| Chole Gecho Dure Bohu Dure | Sazzad Nur | A♭ Minor | 8 | 1A | 82 BPM |