In Paradisum Angeli (Reprise) by Traditional Gregorian Chant, The Benedictine Monks of St. Michael de Laudes Song Details

Traditional Gregorian Chant, The Benedictine Monks of St. Michael de Laudes's 'In Paradisum Angeli (Reprise)' had a release date set for September 29, 2009. With This song being less than two minutes long, at 1:14, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Traditional Gregorian Chant, Various Artists's "Gregorian Chants" album is number 17 out of 18. On top of that, United States appears to be the country where this track was created. In Paradisum Angeli (Reprise) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

We consider the tempo marking of In Paradisum Angeli (Reprise) by Traditional Gregorian Chant, The Benedictine Monks of St. Michael de Laudes to be Andante (at a walking pace) because the track has a tempo of 80 BPM, a half-time of 40BPM, and a double-time of 160 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.

Music Key

This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 10%
Loudness: -22.791 dB
Acousticness: 99%
Danceability: 26%
Energy: 4%
Instrumentalness: 38%
Liveness: 11%
Loudness: 62%
Speechiness: 6%
Valence: 28%

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