"Captive" by Sarah Schachner had its release date on October 18, 2019. This song is about six minutes long, preciously at 5:43, making this song fairly long compared to other songs. The song is number 14 out of 29 in Call of Duty®: Modern Warfare (Original Game Soundtrack) by Sarah Schachner. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Captive is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Captive by Sarah Schachner is Andante (at a walking pace), since this song has a tempo of 95 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Bullet Taken Hostage | Chris Benstead | B Major | 1 | 1B | 81 BPM | ||
| They Finally Meet Their Fate | Dan Romer | D♭ Major | 9 | 3B | 187 BPM | ||
| All or Nothing | Sarah Schachner | F♯ Major | 7 | 2B | 196 BPM | ||
| Praise the Sunlight | Pawel Blaszczak | F Major | 1 | 7B | 161 BPM | ||
| Eagle Claw, Pt. 1 | Sean Murray | A♭ Major | 5 | 4B | 130 BPM | ||
| We Are All Dangerous | Walter Mair | F♯ Major | 2 | 2B | 83 BPM | ||
| Chaos Approaches | Doyle W. Donehoo | A♭ Major | 7 | 4B | 115 BPM | ||
| Hals's Child Unchained | Justin Burnett | D♭ Major | 6 | 3B | 75 BPM | ||
| The Profit | Keith Power | G Major | 5 | 9B | 151 BPM | ||
| Resistance Shall Be Made | Avalanche Studios | D♭ Major | 6 | 3B | 160 BPM | ||
| Oppression | Johan Skugge, Jukka Rintamäki | A Major | 4 | 11B | 180 BPM | ||
| Deathstroke | Christopher Drake | D♭ Major | 6 | 3B | 87 BPM | ||
| Demens | Joel Corelitz | D♭ Minor | 6 | 12A | 137 BPM | ||
| Space Aliens | Martin Stig Andersen | C Major | 2 | 8B | 87 BPM | ||
| What Did You Do? | Nathan Whitehead | D Minor | 2 | 7A | 82 BPM | ||
| Revival | Pawel Blaszczak | C Minor | 1 | 5A | 88 BPM | ||
| Peace To The Fallen | Sarah Schachner | F♯ Major | 1 | 2B | 96 BPM | ||
| Draconian Dream | Audiomachine | D Major | 7 | 10B | 170 BPM | ||
| Holy City | Finishing Move Inc. | E♭ Minor | 5 | 2A | 108 BPM | ||
| Rite Of Passage | P.T. Adamczyk | D Major | 4 | 10B | 81 BPM | ||
| Damned Souls | Piotr Musiał | E Minor | 4 | 9A | 76 BPM | ||
| Ambition | Piotr Musiał | F Minor | 4 | 4A | 80 BPM | ||
| Know The Route | Chris Benstead | A♭ Minor | 0 | 1A | 130 BPM | ||
| Worthy Opponents | John Paesano | F Minor | 3 | 4A | 160 BPM | ||
| Counterfeit | Martin Stig Andersen | A♭ Major | 1 | 4B | 91 BPM |