Il giardino di rose, R.503.19: Seconda Parte: Con la speme (Tutti) by Alessandro Scarlatti, Alicia Amo, Núria Rial, Luciana Mancini, Víctor Sordo, La Ritirata, Josetxu Obregon Song Details

On February 14, 2025, the song "Il giardino di rose, R.503.19: Seconda Parte: Con la speme (Tutti)" was released by Alessandro Scarlatti, Alicia Amo, Núria Rial, Luciana Mancini, Víctor Sordo, La Ritirata, Josetxu Obregon. With This song being less than two minutes long, at 1:54, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 55 in the song's album "Scarlatti: Il giardino di rose". In this album, this song's track order is #26. Furthermore, we believe that the track originated from Germany. In terms of popularity, Il giardino di rose, R.503.19: Seconda Parte: Con la speme (Tutti) is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.

BPM and Tempo

With Il giardino di rose, R.503.19: Seconda Parte: Con la speme (Tutti) by Alessandro Scarlatti, Alicia Amo, Núria Rial, Luciana Mancini, Víctor Sordo, La Ritirata, Josetxu Obregon having a BPM of 100 with a half-time of 50 BPM and a double-time of 200 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

Music Key

D♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 2%
Loudness: -12.337 dB
Acousticness: 93%
Danceability: 59%
Energy: 35%
Instrumentalness: 0%
Liveness: 25%
Loudness: 79%
Speechiness: 5%
Valence: 88%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
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Sinfonia a quattro: I. Allegro assai	František Tůma, Czech Ensemble Baroque, Roman Válek	B Major	2	1B	83 BPM
Stabat mater: II. Cujus animam gementem	Alessandro Scarlatti, Emmanuelle De Negri, Les Accents, Thibault Noally	E Minor	2	9A	68 BPM
Magnificat, Wq. 215: Magnificat, Wq. 215: 3. Arie. Quia fecit mihi magna (T)	Carl Philipp Emanuel Bach, Lothar Odinius, Akademie für Alte Musik Berlin, Hans-Christoph Rademann	F♯ Major	3	2B	139 BPM
"If Music Be The Food Of Love", Z.379	Henry Purcell, Emma Kirkby, Richard Campbell, Christopher Hogwood	F Major	1	7B	84 BPM
Missa Dolorosa: V. Benedictus	Antonio Caldara, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic	E♭ Minor	1	2A	71 BPM
3e Livre de Sonates à violon seul et basse continue, Sonata Sexta: I. Adagio	Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau	A♭ Major	1	4B	105 BPM
Missa Votiva in E Minor, ZWV 18: II. Christe Eleison	Jan Dismas Zelenka, Collegium 1704, Václav Luks, Hana Blaziková	D♭ Minor	1	12A	107 BPM
Concerti á 5 for Little Flaut, Due Violini, Alto et Basso, No. 4 in D Major: III. Allegro	Bartolomeo Bernardi, Giuseppe Torelli, Höör Barock, Emelie Roos	D♭ Major	2	3B	134 BPM
Gli equivoci nel sembiante, Act I Scene 7: Pur qui mi porta	Alessandro Scarlatti, The Gallery Players of Niagara, Nota Bene Baroque Players, Bud Roach, Vicki St. Pierre	E♭ Minor	1	2A	93 BPM
Concerto grosso No. 2 in G Major: II. Allegro (After D. Scarlatti)	Charles Avison, Avison Ensemble, Pavlo Beznosiuk	A♭ Major	0	4B	81 BPM
Befiehl dem Engel, dass er komm' in A Minor, BuxWV 10	Dietrich Buxtehude, Vox Luminis, Lionel Meunier, Ensemble Masques, Olivier Fortin	A Minor	1	8A	83 BPM
Concerto a 7 in G Major - 2 Oboes, 2 Violins, 2 Violas & B.C., Seibel 214: Allegro (1)	Johann David Heinichen, Il Fondamento, Paul Dombrecht	F♯ Major	3	2B	116 BPM
Sant'Agnese: Vaga rosa (Aria)	Bernardo Pasquini, Núria Rial	D♭ Minor	0	12A	77 BPM
Scarlatti, A: Sedecia, re di Gerusalemme, Pt. 1: No. 7, Aria. "Del mio cor nel più segreto" (Ismaele)	Alessandro Scarlatti, Gérard Lesne, Virginie Pochon, Philippe Jaroussky, Peter Harvey, Mark Padmore, Il Seminario Musicale	B Minor	0	10A	123 BPM
Concerto Grosso in A Minor, Op. 6 No. 4, HWV 322: III. Largo, e piano	George Frideric Handel, Academy of Ancient Music, Andrew Manze	D♭ Minor	0	12A	139 BPM
Maddalena ai piedi di Cristo: No. 6 Aria Amor Celeste "La ragione, s'un'alma conseglia"	Antonio Caldara, René Jacobs, Schola Cantorum Basiliensis, Chiara Banchini, Andreas Scholl	E Major	2	12B	80 BPM
Now Does the Glorious Day Appear, Z. 332 "Ode for Queen Mary's Birthday": No. 7, By Beauteous Softness	Henry Purcell, Paul-Antoine Benos-Djian, Le Consort	D♭ Minor	0	12A	71 BPM
Cavalli: Ercole amante, Act 1: Sinfonia	Francesco Cavalli, Thomas Dunford, Jupiter	F♯ Minor	1	11A	107 BPM
Canente: Sombre déesse du silence	Antoine Dauvergne, Véronique Gens, Ensemble les Surprises, Louis-Noël Bestion de Camboulas	G Minor	6	6A	134 BPM
Henry Purcell: Two in one upon a Ground	Charivari Agréable	A♭ Minor	1	1A	77 BPM
Overture in G Minor: III. Aria. Presto	Giuseppe Antonio Brescianello, La Cetra Barockorchester Basel, David Plantier, Vaclav Luks	A Minor	1	8A	67 BPM
Concerto in E Minor: I. Adagio e staccato	Benedetto Marcello, Concerto Italiano, Rinaldo Alessandrini	B Major	0	1B	132 BPM
Concerto a cinque No. 6, Op. 7: II. Adagio	Tomaso Albinoni, Paul Dombrecht, Il Fondamento	B♭ Minor	1	3A	87 BPM