On 1998, the song "Music for 18 Musicians: Section IIIB" was released by Steve Reich. With this song being around four minutes long, at 3:45, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Steve Reich's "Music for 18 Musicians" album is number 5 out of 14. In terms of popularity, Music for 18 Musicians: Section IIIB is currently below average in popularity. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Music for 18 Musicians: Section IIIB by Steve Reich to be Moderato (at a moderate speed) because the track has a tempo of 111 BPM, a half-time of 56BPM, and a double-time of 222 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 3/4.
This song has a musical key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| A Morning in the Woods | Leo Ornstein, Janice Weber | B♭ Minor | 0 | 3A | 63 BPM | ||
| Glassworks: IV. Rubric | Philip Glass, Philip Glass Ensemble, Michael Riesman | E♭ Major | 6 | 5B | 95 BPM | ||
| Piano & Violoncello 7 | Irena And Vojtech Havlovi | C Major | 1 | 8B | 79 BPM | ||
| Reverso | alva noto, Ryuichi Sakamoto | A Minor | 2 | 8A | 138 BPM | ||
| Composition 1960 No. 7 | La Monte Young, Jeroen van Veen | B Minor | 0 | 10A | 58 BPM | ||
| In the Light of Air: II. Serenity | Anna Thorvaldsdottir, International Contemporary Ensemble | C Major | 1 | 8B | 69 BPM | ||
| Music for 18 Musicians (modular version): Pulses | Steve Reich, Ensemble Signal | A Major | 4 | 11B | 107 BPM | ||
| Répons: Section 1 | Pierre Boulez, Andrew Gerzso, Ensemble Intercontemporain | A♭ Minor | 3 | 1A | 82 BPM | ||
| Watermusic 1.1 | William Basinski | A Minor | 0 | 8A | 80 BPM | ||
| 3 Utwory w dawnym stylu (3 Pieces in Old Style): II. — | Henryk Górecki, Polish National Radio Symphony Orchestra, Antoni Wit | F Major | 2 | 7B | 176 BPM | ||
| 4'33 | John Cage, The King's Singers | N/A | N/A | N/A | 0 BPM | ||
| Forgotten Dreams #2 | Ernst Reijseger | G Major | 1 | 9B | 123 BPM | ||
| The Sinking of the Titanic: 10. Last Hymn | Gavin Bryars, Gavin Bryars Ensemble | D♭ Major | 0 | 3B | 70 BPM | ||
| Feedback Zwei | Keith Fullerton Whitman | D Major | 0 | 10B | 0 BPM | ||
| Carbon Date Solo Cello | Ernst Reijseger | G Major | 3 | 9B | 120 BPM | ||
| dlp 1.1.6 | William Basinski | F Major | 1 | 7B | 94 BPM | ||
| Americans | Oneohtrix Point Never | A♭ Major | 9 | 4B | 88 BPM | ||
| Arterial | Christian Erik Frederickson, Rachel Grimes, Rachel's | F♯ Minor | 3 | 11A | 111 BPM | ||
| Trioon II | alva noto, Ryuichi Sakamoto | G Major | 0 | 9B | 120 BPM | ||
| Shaker Loops: III. Loops and Verses | John Adams | G Minor | 2 | 6A | 85 BPM | ||
| Microon III | alva noto, Ryuichi Sakamoto | A♭ Major | 0 | 4B | 101 BPM | ||
| Rhythm Song | Paul Smadbeck, Evelyn Glennie, Barry Wordsworth | A♭ Minor | 0 | 1A | 103 BPM | ||
| M - Music I - Inside C - Curved E-Entrances | Terry Riley | F♯ Minor | 6 | 11A | 100 BPM | ||
| Sonatas and Interludes for Prepared Piano: Sonata No. 5 | John Cage, Boris Berman | A Major | 0 | 11B | 92 BPM | ||
| Siisx | alva noto, Ryuichi Sakamoto | B♭ Minor | 3 | 3A | 100 BPM |