On January 1, 2008, the song "Further Down the Line" was released by Bleu Edmondson. With this song being around four minutes long, at 4:12, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 11 in the song's album "Southland". In this album, this song's track order is #6. Based on our statistics, Further Down the Line's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Further Down the Line by Bleu Edmondson having a BPM of 155 with a half-time of 78 BPM and a double-time of 310 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 4/4.
B♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Wish You Were Here | Brandon Jenkins | D Major | 4 | 10B | 168 BPM | ||
| Long Enough to Leave | Micky & The Motorcars | B♭ Major | 8 | 6B | 120 BPM | ||
| Never Gonna Be Enough | No Justice | A Major | 8 | 11B | 112 BPM | ||
| Billy Creek | Charlie Shafter | G Major | 9 | 9B | 142 BPM | ||
| Julie At The Bar | Honeybrowne | C Major | 7 | 8B | 130 BPM | ||
| Come On Radio | The Kyle Bennett Band | C Major | 8 | 8B | 119 BPM | ||
| The Front Porch Song | Robert Earl Keen | G Major | 4 | 9B | 107 BPM | ||
| Choctaw Bingo | Ray Wylie Hubbard | A Major | 7 | 11B | 95 BPM | ||
| Tonight We Ride | Micky & The Motorcars | A Major | 7 | 11B | 121 BPM | ||
| Easy | Cody Canada & The Departed | E Major | 8 | 12B | 76 BPM | ||
| Circle In My Hand | Lost Immigrants | B♭ Major | 6 | 6B | 144 BPM | ||
| Backroad Angel | Casey Daniels Band | G Major | 7 | 9B | 144 BPM | ||
| Long Enough to Leave | Micky & The Motorcars | G Minor | 8 | 6A | 120 BPM | ||
| Boots | Bart Crow | D♭ Minor | 6 | 12A | 76 BPM | ||
| The Toast | No Justice | B♭ Major | 5 | 6B | 157 BPM | ||
| The Future Ain't What It Used to Be | Bleu Edmondson | F Major | 4 | 7B | 145 BPM | ||
| Between Here And The Front Door | Brandon Rhyder | E Major | 8 | 12B | 124 BPM | ||
| Freeze Frame Time | Brandon Rhyder | B♭ Major | 6 | 6B | 135 BPM | ||
| Inbetweener | Cody Canada & The Departed | F Major | 8 | 7B | 120 BPM | ||
| Boss of Me | Cody Canada & The Departed | C Major | 9 | 8B | 124 BPM | ||
| Texas to You | Johnny Cooper | E Major | 8 | 12B | 174 BPM | ||
| This Town | Tanner Fenoglio | A Major | 5 | 11B | 126 BPM | ||
| Whistlers & Sparklers | Wrinkle Neck Mules | A Major | 5 | 11B | 97 BPM | ||
| If These Old Bones Could Talk | Matt Hillyer | E Major | 6 | 12B | 90 BPM | ||
| Mile by Mile | Honeybrowne | A Major | 8 | 11B | 120 BPM |