"They Had To Work It Out Between Them - From „Copenhagen Dreams” Soundtrack" by Jóhann Jóhannsson had its release date on 2012. With This song being less than two minutes long, at 1:47, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 15 out of 19 in Copenhagen Dreams (Original Soundtrack) by Jóhann Jóhannsson. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. They Had To Work It Out Between Them - From „Copenhagen Dreams” Soundtrack is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of They Had To Work It Out Between Them - From „Copenhagen Dreams” Soundtrack by Jóhann Jóhannsson is Grave (very slow), since this song has a tempo of 45 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| American Beauty (Arr. For Violin And Orchestra) - From American Beauty | Thomas Newman, Daniel Hope, Royal Stockholm Philharmonic Orchestra, Alexander Shelley | B♭ Major | 0 | 6B | 74 BPM | ||
| Some | Nils Frahm | F Major | 0 | 7B | 76 BPM | ||
| Everyone's Gone | Rupert Gregson-Williams, Harry Gregson-Williams | D Minor | 0 | 7A | 65 BPM | ||
| The Armstrongs | Justin Hurwitz | G Minor | 2 | 6A | 120 BPM | ||
| One More Journey | Jordan Seigel | G Major | 1 | 9B | 132 BPM | ||
| The Yellow House | Clint Mansell | D Minor | 2 | 7A | 100 BPM | ||
| Footsteps | Mike Lazarev, Arovane | E Minor | 1 | 9A | 122 BPM | ||
| What I Really Wanted | Clinton Shorter | G Major | 1 | 9B | 117 BPM | ||
| Gardermoen | Julia Kent | G Minor | 1 | 6A | 128 BPM | ||
| Part 1.4 | Jóhann Jóhannsson, Guðmundur Sigurðsson, Hörður Bragason, Skúli Sverrisson, Matthías M.D. Hemstock, Caput Ensemble, Guðni Franzson | C Major | 0 | 8B | 66 BPM | ||
| Mass (Re-Imagined) | Phoria | G Minor | 1 | 6A | 120 BPM | ||
| Part 2.5 | Jóhann Jóhannsson, Guðmundur Sigurðsson, Hörður Bragason, Skúli Sverrisson, Matthías M.D. Hemstock, Caput Ensemble, Guðni Franzson | C Major | 0 | 8B | 67 BPM | ||
| Reprise | Mike Lazarev | D Minor | 0 | 7A | 94 BPM | ||
| The Causeway | Dickon Hinchliffe | D Major | 1 | 10B | 144 BPM | ||
| The Painter On His Way To Work On The Road To Tarascon | Clint Mansell | D♭ Major | 0 | 3B | 80 BPM | ||
| Make History | Danny Bensi and Saunder Jurriaans | E Minor | 0 | 9A | 80 BPM | ||
| Un Mundo Destruido | Fernando Velázquez | D Major | 0 | 10B | 64 BPM | ||
| Oversky | Luke Howard | C Major | 0 | 8B | 118 BPM | ||
| Low Mist Var. 1 - Day 1 | Ludovico Einaudi, Federico Mecozzi, Redi Hasa | C Major | 0 | 8B | 74 BPM | ||
| Waves | Vetle Nærø | F♯ Minor | 0 | 11A | 100 BPM | ||
| Opening Music | Nicholas Britell | G Major | 2 | 9B | 87 BPM | ||
| Craving The Cold | Kevin Smuts | G Major | 0 | 9B | 67 BPM | ||
| Don't Let Go | Alice In Winter | B♭ Major | 4 | 6B | 138 BPM | ||
| A sleepless night | Luca Longobardi | C Minor | 1 | 5A | 108 BPM | ||
| Ships Along the Harbor | Slow Meadow | F Major | 1 | 7B | 116 BPM |