On January 1, 1969, the song "Timps of Terror" was released by Sam Fonteyn. With This song being less than two minutes long, at 1:31, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Sam Fonteyn's "Kpm 1000 Series: Sounds in Percussion" album is number 10 out of 26. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Timps of Terror is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Timps of Terror by Sam Fonteyn to be Andante (at a walking pace) because the track has a tempo of 97 BPM, a half-time of 48BPM, and a double-time of 194 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Sound Heard Round the World | Muzak Orchestra | F Major | 4 | 7B | 160 BPM | ||
| 4-50 from Paddington - Railways | Dominik Scherrer | F♯ Minor | 4 | 11A | 140 BPM | ||
| Where to Next | Ritchie Everett | C Major | 3 | 8B | 68 BPM | ||
| Metropolis | Jack Brown, New Century Orchestra, Sidney Torch, Albert Sandler Palm Court Orchestra, BBC Variety Orchestra, Billy Ternent Orchestra, David Rose Orchestra, Harmonic Orchestra, Louis Levy Music From The Movies, Mayfair Orchestra, The Melachrino Orchestra, | C Major | 6 | 8B | 147 BPM | ||
| Sailing By | The Perry-Gardner Orchestra | D Major | 3 | 10B | 90 BPM | ||
| Nightclub Swing | Keith Nichols | G Minor | 4 | 6A | 204 BPM | ||
| The Third Man (The Harry Lime Theme) | Malcolm Lockyer Orchestra | C Major | 2 | 8B | 132 BPM | ||
| Puffin' Billy | Edward White, RTE Concert Orchestra, Ernest Tomlinson | G Major | 1 | 9B | 115 BPM | ||
| Pop Looks Bach | Sam Fonteyn, Ensemble de Cuivres Mélodia | B♭ Major | 4 | 6B | 89 BPM | ||
| The Free Life | James Clarke | B♭ Major | 4 | 6B | 147 BPM | ||
| Derby Day | Werner Tautz | B♭ Major | 5 | 6B | 155 BPM | ||
| Prestige Production | Neil Richardson | F Minor | 6 | 4A | 112 BPM | ||
| Another Happening | Neil Richardson | F Minor | 5 | 4A | 124 BPM | ||
| Candlelight Serenade | Sam Fonteyn | B Major | 3 | 1B | 94 BPM | ||
| Moonbeam Kiss | Joe Brook | G Major | 4 | 9B | 119 BPM | ||
| A Pretty Girl Is Like a Melody | The Melachrino Strings | G Major | 3 | 9B | 85 BPM | ||
| Manhattan Spiritual | Reg Owen | A♭ Major | 4 | 4B | 98 BPM | ||
| Intermission | Ronald Hanmer | D Minor | 5 | 7A | 153 BPM | ||
| Tea At Tiffani's | Werner Tautz | D Major | 5 | 10B | 81 BPM | ||
| He'd Have to Get Under - Get Out and Get Under | Maurice Abrahams, Anthony Godwin, Palm Court Theatre Orchestra | E♭ Major | 5 | 5B | 136 BPM | ||
| The Hukilau Song - Hula | Lester Lanin | G Major | 3 | 9B | 125 BPM | ||
| Melody on the Move | Queen's Hall Light Orchestra, Charles Williams | C Minor | 4 | 5A | 165 BPM | ||
| Cha Cha Nova | NDR Bigband | B♭ Major | 6 | 6B | 125 BPM | ||
| The Easy Way | Sam Fonteyn | C Major | 3 | 8B | 125 BPM | ||
| Dinner For Two | Sam Fonteyn | C Minor | 1 | 5A | 109 BPM |