"Opening Titles" by Hans Zimmer had its release date on June 1, 2010. The duration of This song is about 3 minutes long, at 3:25. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 1 out of 17 in Call of Duty: Modern Warfare 2 (Original Game Score) by Hans Zimmer. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Opening Titles's popularity is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Opening Titles by Hans Zimmer is Allegro (fast, quick, and bright), since this song has a tempo of 156 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Extraction Point | Hans Zimmer | D Major | 7 | 10B | 83 BPM | ||
| Minas Tirith (feat. Ben Del Maestro) | Howard Shore, Ben Del Maestro | B♭ Major | 4 | 6B | 70 BPM | ||
| Arcade | Hans Zimmer, Junkie XL | D♭ Major | 1 | 3B | 80 BPM | ||
| Gravity | Steven Price | A♭ Minor | 3 | 1A | 93 BPM | ||
| Becoming one of "The People" Becoming one with Neytiri | James Horner | D♭ Major | 1 | 3B | 71 BPM | ||
| The Legend of Excalibur | Daniel Pemberton | G Major | 3 | 9B | 89 BPM | ||
| Journey to the Line (From "The Thin Red Line" Soundtrack) | Hans Zimmer, Gavin Greenaway | A Minor | 1 | 8A | 120 BPM | ||
| One Man At A Time | Rupert Gregson-Williams | D Major | 5 | 10B | 116 BPM | ||
| Mount Legend | Oswin Macintosh | C Major | 2 | 8B | 77 BPM | ||
| When Two Sides Go to War | Stephen Barton | A Minor | 4 | 8A | 85 BPM | ||
| The Imitation Game | Alexandre Desplat, London Symphony Orchestra | F Minor | 3 | 4A | 104 BPM | ||
| Solomon's Theme | Johan Skugge, Jukka Rintamäki | C Major | 3 | 8B | 143 BPM | ||
| The Foundation Theme (from Zack Snyder's Justice League) | Junkie XL | G Minor | 3 | 6A | 127 BPM | ||
| Leaving Earth | Clint Mansell | E Minor | 3 | 9A | 39 BPM | ||
| As Good a Place as Any to Start | Jesse Harlin | D Minor | 4 | 7A | 94 BPM | ||
| Flight | Hans Zimmer | F Major | 4 | 7B | 80 BPM | ||
| Onwards | Hans Zimmer | D Major | 8 | 10B | 96 BPM | ||
| To Victory | Tyler Bates | D♭ Major | 9 | 3B | 140 BPM | ||
| BT-7274 (Redux) - Bonus Track | Stephen Barton | D♭ Major | 4 | 3B | 139 BPM | ||
| The Request/The Car Is Yours/Perfect Lap | Marco Beltrami, Buck Sanders | D♭ Minor | 4 | 12A | 140 BPM | ||
| The Batman Theme | Danny Elfman | A♭ Major | 1 | 4B | 87 BPM | ||
| The Rock - From "The Rock" | The City of Prague Philharmonic Orchestra | F Major | 3 | 7B | 116 BPM | ||
| Oppenheimer | Ludwig Göransson | D♭ Major | 2 | 3B | 121 BPM | ||
| King Arthur Orchestra Suite - Live | Hans Zimmer, Pedro Eustache, Rusanda Panfili, Vienna Radio Symphony Orchestra, Martin Gellner | D Minor | 4 | 7A | 82 BPM | ||
| Ahsoka Leaves | Kevin Kiner | G Major | 2 | 9B | 176 BPM |