Sam Spence's 'Prime Choice' had a release date set for September 14, 2010. This song is about six minutes long, preciously at 5:59, making this song fairly long compared to other songs. The track order of this song in Sam Spence's "Music From NFL Films, Vol. 3" album is number 6 out of 16. In terms of popularity, Prime Choice is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Prime Choice by Sam Spence to be Andante (at a walking pace) because the track has a tempo of 98 BPM, a half-time of 49BPM, and a double-time of 196 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Medical Checkup | Harold Faltermeyer | B Major | 2 | 1B | 127 BPM | ||
| War/Fanfare from Rocky IV | Vince DiCola | D♭ Minor | 6 | 12A | 93 BPM | ||
| Near the End | Paulo Thomas, Paul Thomas | E♭ Minor | 2 | 2A | 67 BPM | ||
| The "Shag-adelic" Austin Powers Score Medley | George S. Clinton | G Minor | 2 | 6A | 84 BPM | ||
| Colonel Stuart | Michael Kamen | E Minor | 2 | 9A | 171 BPM | ||
| Centrepoint | Alan Hawkshaw | C Major | 3 | 8B | 98 BPM | ||
| Piercing | Howard Shore | F Major | 2 | 7B | 79 BPM | ||
| Lombardi Trophy History | David Robidoux | D♭ Minor | 6 | 12A | 95 BPM | ||
| Captain Freedom's Workout | Harold Faltermeyer | E♭ Major | 9 | 5B | 142 BPM | ||
| Dies Irae | Elliot Goldenthal | B♭ Major | 4 | 6B | 90 BPM | ||
| Factory Chase | Brad Fiedel | D Major | 7 | 10B | 101 BPM | ||
| The Hook | Paul Hertzog | D Minor | 3 | 7A | 121 BPM | ||
| Visionnary | Mahwash Faroni, Moowash | B♭ Minor | 2 | 3A | 85 BPM | ||
| Where No Man Has Gone Before - Main Title | Alexander Courage | F♯ Major | 5 | 2B | 77 BPM | ||
| Give Me Some Sugar / Bone'anza | Joseph Loduca | G Major | 2 | 9B | 53 BPM | ||
| Big Game America | Sam Spence | G Minor | 8 | 6A | 121 BPM | ||
| City Of The Angels - From "To Live And Die In L.A." Soundtrack | Wang Chung | C Major | 6 | 8B | 107 BPM | ||
| McQuade's Theme | Francesco De Masi | E♭ Major | 2 | 5B | 78 BPM | ||
| Rambo End Title | Brian Tyler | B♭ Minor | 2 | 3A | 92 BPM | ||
| Across The Board/End Credits | Basil Poledouris | F Minor | 2 | 4A | 79 BPM | ||
| Theme From American Flyers (Hell Of The West) | Lee Ritenour, Greg Mathieson | G Major | 7 | 9B | 125 BPM | ||
| Meet Mr. Solo | Hugo Montenegro & His Orchestra | E Major | 1 | 12B | 146 BPM | ||
| Remo Floats | Craig Safan | D Major | 1 | 10B | 136 BPM | ||
| Milktrain To Paydirt | Sam Spence | D Minor | 6 | 7A | 139 BPM | ||
| Heavy Action | Johnny Pearson | C Major | 5 | 8B | 128 BPM |