"Quarantine" by Thomas Newman had its release date on June 17, 2016. The duration of This song is about two minutes long, specifically at 2:41. This song does not appear to have any foul language. Quarantine's duration is considered a little bit shorter than the average duration of a typical track. The song is number 22 out of 34 in Finding Dory (Original Motion Picture Soundtrack) by Thomas Newman. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Quarantine is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Quarantine by Thomas Newman is Andante (at a walking pace), since this song has a tempo of 85 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Lily's Theme | Alexandre Desplat | F♯ Major | 0 | 2B | 73 BPM | ||
| Finale | John Paesano, Pete Anthony, American Federation of Musicians | A Major | 2 | 11B | 116 BPM | ||
| Storybook | Geoff Zanelli, Jon Brion | A Minor | 1 | 8A | 77 BPM | ||
| Resurgam | Anne Dudley, The Chamber Orchestra Of London | F Minor | 2 | 4A | 49 BPM | ||
| An Ideal Marriage | The Chamber Orchestra Of London | G Minor | 2 | 6A | 107 BPM | ||
| Adventures of a London Gentleman | Christopher Willis | E Major | 3 | 12B | 125 BPM | ||
| A New Mia - Score | John Debney | C Major | 0 | 8B | 0 BPM | ||
| The Deer | William Ross | B Minor | 2 | 10A | 92 BPM | ||
| Trust & Facade | Hollers Gang | E Major | 2 | 12B | 51 BPM | ||
| The Ascanius | Thomas Newman | G Minor | 2 | 6A | 97 BPM | ||
| New Queen | Martin Phipps | B♭ Major | 1 | 6B | 169 BPM | ||
| Apprenticed | Carter Burwell | D Major | 0 | 10B | 179 BPM | ||
| Eliza's Theme | John Debney | D♭ Major | 2 | 3B | 160 BPM | ||
| Separations | Roque Baños | F Minor | 0 | 4A | 67 BPM | ||
| He Looked So Happy | Fernando Velázquez | C Minor | 1 | 5A | 77 BPM | ||
| Returning to the Hundred Acre Wood | Geoff Zanelli, Jon Brion | A Minor | 0 | 8A | 140 BPM | ||
| Two Socks / The Wolf Theme (From "Dance with Wolves" Soundtrack) | John Barry | A Major | 1 | 11B | 76 BPM | ||
| Quite a View | Thomas Newman | C Major | 0 | 8B | 92 BPM | ||
| Dark Magic | Thomas Newman, Thomas Bowes, London Voices, Ben Parry, Terry Edwards, Grace Davidson, George Doering, Phil Todd, Sonia Slany, Paul Clarvis, Nick Cooper, Andrew Cronshaw | A Major | 1 | 11B | 81 BPM | ||
| Epilogue | Ilan Eshkeri, London Metropolitan Orchestra, Andy Brown | C Major | 0 | 8B | 0 BPM | ||
| EVE | Thomas Newman | D♭ Major | 5 | 3B | 99 BPM | ||
| I Won't Leave You | Clinton Shorter | D Major | 1 | 10B | 119 BPM | ||
| Farewell to Dobby | Alexandre Desplat | D♭ Major | 1 | 3B | 82 BPM | ||
| Protect Life | Éric Serra | B Minor | 1 | 10A | 80 BPM | ||
| The Mouse | Ilan Eshkeri, London Metropolitan Orchestra, Andy Brown | C Major | 0 | 8B | 53 BPM |