"Giulietta e Romeo, Act I: Andate... Oh! Siete bello e mio! (Giulietta)" by Riccardo Zandonai, Orchestra di Milano della RAI, Angelo Questa, Anna Maria Rovere had its release date on 1955. With this song being around four minutes long, at 4:03, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Zandonai: Giulietta e Romeo by Riccardo Zandonai, Anna Maria Rovere, Angelo Lo Forese, Angelo Questa. The song's track number on the album is #6 out of 22 tracks. Based on our data, France was the country where this track was produced or recorded. Giulietta e Romeo, Act I: Andate... Oh! Siete bello e mio! (Giulietta) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Giulietta e Romeo, Act I: Andate... Oh! Siete bello e mio! (Giulietta) by Riccardo Zandonai, Orchestra di Milano della RAI, Angelo Questa, Anna Maria Rovere has a tempo of 60 beats per a minute, the tempo markings of this song would be Lento (slowly). With Giulietta e Romeo, Act I: Andate... Oh! Siete bello e mio! (Giulietta) being at 60 BPM, the half-time would be 30 BPM with a double-time of 120 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
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