On January 1, 2001, the song "Still Sweet On You" was released by Richard Elliot. With this song being around four minutes long, at 4:19, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 3 out of 10 in Crush by Richard Elliot. Still Sweet On You is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Still Sweet On You by Richard Elliot is Andante (at a walking pace), since this song has a tempo of 82 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Only You | Nils | G Major | 5 | 9B | 97 BPM | ||
| 18th & Vine | Julian Vaughn | G Minor | 7 | 6A | 78 BPM | ||
| Strut | Kevin Toney | C Minor | 8 | 5A | 90 BPM | ||
| Midnight In Manhattan | Peter White | B♭ Minor | 7 | 3A | 92 BPM | ||
| Wednesday | Rob Mullins | C Minor | 6 | 5A | 92 BPM | ||
| Sweet Memories | Richard Elliot | C Major | 6 | 8B | 86 BPM | ||
| Midnight in San Juan | Earl Klugh | G Minor | 5 | 6A | 120 BPM | ||
| Walk on By | Bob Baldwin | F Major | 6 | 7B | 91 BPM | ||
| The East from the West | Paul Jackson, Jr. | B Minor | 5 | 10A | 122 BPM | ||
| Rikke | David Sanborn | D Minor | 5 | 7A | 150 BPM | ||
| Supersize! | Oli Silk | D Major | 8 | 10B | 106 BPM | ||
| The Touch | Cal Harris Jr. | A Minor | 5 | 8A | 74 BPM | ||
| All Jazzed Up (And Nowhere To Go) | Everette Harp | F Major | 6 | 7B | 176 BPM | ||
| Avenue | Paul Taylor | E Minor | 5 | 9A | 90 BPM | ||
| Out'a Nowhere | Norman Brown | F Minor | 5 | 4A | 100 BPM | ||
| Inside Myself | Art Porter | A♭ Major | 6 | 4B | 170 BPM | ||
| Forever And A Day | Euge Groove, Althea Rene | A Minor | 7 | 8A | 91 BPM | ||
| Free | Althea Rene | F Major | 6 | 7B | 87 BPM | ||
| Remind Me | Ben Tankard | E Minor | 5 | 9A | 91 BPM | ||
| Chocolate Pudding Queen | Robin Goodrow, Micheal Goodrow, Richard Elliot, Bobbi Vandervort | D♭ Major | 9 | 3B | 122 BPM | ||
| Better Days | Everette Harp | G Minor | 4 | 6A | 83 BPM | ||
| We'll Make It Last | Doc Powell | G Major | 8 | 9B | 101 BPM | ||
| Day By Day | Najee | F Major | 4 | 7B | 87 BPM | ||
| You Were There For Me | Nick Colionne | F Major | 4 | 7B | 75 BPM | ||
| Soul Vibration | Chris Standring | A Minor | 5 | 8A | 93 BPM |