"50 Lessons, No. 11 in G Major, Op. 9" by Giuseppe Concone, Xavier Palacios had its release date on June 21, 2014. The duration of This song is about two minutes long, specifically at 2:40. This song does not appear to have any foul language. 50 Lessons, No. 11 in G Major, Op. 9's duration is considered a little bit shorter than the average duration of a typical track. The song is number 11 out of 25 in Concone 50 Lessons Op. 9, Part I (1-25) Accompaniments for High Voice by Giuseppe Concone, Xavier Palacios. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. 50 Lessons, No. 11 in G Major, Op. 9 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 50 Lessons, No. 11 in G Major, Op. 9 by Giuseppe Concone, Xavier Palacios is Adagio (slowly with great expression), since this song has a tempo of 68 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| ザ・ベアー・ネセシティ(ピアノカバー) | 中村理恵 | C Major | 3 | 8B | 158 BPM | ||
| Barre : Pliés in Second Position (Long) - Lullaby for Dolly | Nolwenn Collet | B♭ Major | 1 | 6B | 68 BPM | ||
| Six pièces très faciles, Op. 52: No. 4 in G Major, Romanze | Johann Nepomuk Hummel, Caroline Almonte | G Major | 1 | 9B | 79 BPM | ||
| Andrea Scorzese | Lisa Hugon | D♭ Major | 0 | 3B | 68 BPM | ||
| Rond De Jambe: Something Bad | Trisha Wolf | D Major | 1 | 10B | 140 BPM | ||
| Tales From the Vienna Woods, Op. 325 | Laura Sanz | C Major | 1 | 8B | 69 BPM | ||
| Civetta Mount | Tom Adorno | A Major | 0 | 11B | 108 BPM | ||
| Libiamo Ne'lieti Calici (Brindisi) | Songs of Birdland, Mu Dimon | A♭ Major | 2 | 4B | 132 BPM | ||
| Radiant Reverie | Auderey Davis | D♭ Major | 0 | 3B | 177 BPM | ||
| Moment Musical | Ingo Höricht, Gordon Hamilton | C Minor | 1 | 5A | 94 BPM | ||
| 50 Lessons, No. 9 in A-Flat Major, Op. 9 | Giuseppe Concone, Xavier Palacios | B♭ Major | 1 | 6B | 68 BPM | ||
| Dumbo’s Dream | Ferrero Rochelle | A Minor | 0 | 8A | 101 BPM | ||
| Lovoten Islands | Paul Kronberg | F♯ Major | 0 | 2B | 169 BPM | ||
| Pirouettes & Waltz 1(Long version) - Ballet "Paquita", Act 3 Coda | L. Minkus, Ballet pianist Mia | D Major | 5 | 10B | 138 BPM | ||
| Massi Spostati | Il Sincero | C Major | 0 | 8B | 70 BPM | ||
| Tourning Fourty | Pino Moravia | C Minor | 0 | 5A | 91 BPM | ||
| Enchanted Embers | Fabio Danti | E♭ Major | 1 | 5B | 69 BPM | ||
| Lane Five | Leopold Sinclair | F Major | 0 | 7B | 68 BPM | ||
| 50 Lessons, No. 35 in B-Flat Major, Op. 9 (Melody Added) | Giuseppe Concone, Xavier Palacios | A♭ Major | 1 | 4B | 161 BPM | ||
| Plie - 3/4 | Venti Petrov | G Major | 2 | 9B | 129 BPM | ||
| Their Own Tought | Adrian Kolch | F♯ Minor | 1 | 11A | 69 BPM | ||
| Sabino Is Raptum | Mark Sibelius | F Major | 1 | 7B | 112 BPM | ||
| Développé (La Source) | Nate Fifield | D♭ Major | 1 | 3B | 71 BPM | ||
| Nè Rispondi D'un Padre All'affetto? ... No, Non Udrai Rimproveri | Songs of Birdland, Mu Dimon | B♭ Major | 2 | 6B | 68 BPM | ||
| Tak Derakhti | Fariborz Lachini | E Minor | 1 | 9A | 72 BPM |