Charles Rocchi's ' "Sirinatu" was released on its scheduled release date, 2001. The duration of This song is about two minutes long, specifically at 2:08. This song does not appear to have any foul language. Sirinatu's duration is considered a little bit shorter than the average duration of a typical track. The song is number 9 out of 18 in Brunetta (18 grands succès corses) by Charles Rocchi. In terms of popularity, Sirinatu is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Sirinatu by Charles Rocchi is Andante (at a walking pace), since this song has a tempo of 102 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Amicu pastore | L'Arcusgi | E♭ Minor | 2 | 2A | 121 BPM | ||
| Quantu si cambiata | Chorale Vox Corsica | G Major | 3 | 9B | 116 BPM | ||
| Come | Surghjenti | B♭ Major | 4 | 6B | 100 BPM | ||
| O corsu | Surghjenti | B Minor | 5 | 10A | 120 BPM | ||
| Caterina | Angelo Petisi | F Major | 6 | 7B | 97 BPM | ||
| Lettera D'argentina | Canta U Populu Corsu | G Minor | 4 | 6A | 137 BPM | ||
| Amsterdam - Final Master | I Muvrini, les 500 choristes | F♯ Minor | 8 | 11A | 180 BPM | ||
| Canzona per Maria | Charles Rocchi | A♭ Major | 2 | 4B | 121 BPM | ||
| Les haricots | Bourvil | E♭ Major | 1 | 5B | 98 BPM | ||
| Amour, castagnettes et tango | Gloria Lasso | D Minor | 3 | 7A | 116 BPM | ||
| Omertá | El Domingo | G Major | 4 | 9B | 123 BPM | ||
| Chì Fà | Antoine Ciosi | E Minor | 3 | 9A | 94 BPM | ||
| L'altu pratu | Chjami Aghjalesi | F♯ Major | 2 | 2B | 96 BPM | ||
| Solenzara | Francine Massiani, Louis Bertignac | D Minor | 5 | 7A | 105 BPM | ||
| Lettara Muta | Attallà | G Minor | 3 | 6A | 71 BPM | ||
| A to vindetta | L'attrachju | E Minor | 6 | 9A | 124 BPM | ||
| U lucucciu | Petru Guelfucci | B♭ Major | 4 | 6B | 102 BPM | ||
| Non criditi amuri | Rosa Balistreri | F Major | 2 | 7B | 116 BPM | ||
| O ciucciarella | Antoine Ciosi, Maryse Nicolaï | C Minor | 1 | 5A | 84 BPM | ||
| Le régiment de Sambre et Meuse | André Dassary | B♭ Major | 6 | 6B | 128 BPM | ||
| L'oru | Barbara Furtuna | F♯ Minor | 3 | 11A | 115 BPM | ||
| L'armata di l'ombra | Canta U Populu Corsu | A Minor | 5 | 8A | 109 BPM | ||
| Cose morte | Charles Rocchi | E Minor | 3 | 9A | 76 BPM | ||
| Noi | L'Avvinta | D♭ Major | 4 | 3B | 98 BPM | ||
| Tù si | L'attrachju | F♯ Minor | 5 | 11A | 129 BPM |