Helen Burnett, Jo Caleb, Jenni Thompson, Joe Fisher, Rylie Harrod's 'Lonely Road' had a release date set for 1932. With this song being around four minutes long, at 3:32, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of When First I Saw You There by Helen Burnett. The song's track number on the album is #1 out of 10 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. Based on our statistics, Lonely Road's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Lonely Road by Helen Burnett, Jo Caleb, Jenni Thompson, Joe Fisher, Rylie Harrod has a tempo of 122 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Lonely Road being at 122 BPM, the half-time would be 61 BPM with a double-time of 244 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| For Once in My Life | Shannon & Keast | G Major | 2 | 9B | 98 BPM | ||
| Grow | The Buttshakers | F Major | 5 | 7B | 88 BPM | ||
| Too Far Down (ft. Chavonne Stewart) | Jonah Tolchin, Chavonne Stewart | B♭ Minor | 2 | 3A | 97 BPM | ||
| Final Call | CROWNFISHER, Werner Fischer, Lena Nova | C Major | 4 | 8B | 93 BPM | ||
| Love Through Sound | Alex Krawczyk | A Major | 6 | 11B | 144 BPM | ||
| Listen to Me | SAM | A Minor | 7 | 8A | 140 BPM | ||
| Living On The Edge (Of Town) | Robert Dimbleby | A Major | 6 | 11B | 144 BPM | ||
| Halfway | Mathilde Widding | D Major | 4 | 10B | 112 BPM | ||
| Leila | Laura Jordán | A Major | 6 | 11B | 144 BPM | ||
| Anything a Man Can Do | You and Me and You | A Major | 6 | 11B | 144 BPM | ||
| Never Far - Uncovered | Gal De Paz | D Major | 2 | 10B | 109 BPM | ||
| One Way | Sahra da Silva | C Minor | 6 | 5A | 133 BPM | ||
| Could Have Found Grace | Paddy Smith | C Major | 5 | 8B | 98 BPM | ||
| Monade | Anat Moshkovski, Shuzin | E♭ Major | 5 | 5B | 142 BPM | ||
| Big River | Oh He Dead | D Major | 6 | 10B | 139 BPM | ||
| Elvis Knew | Molly Green | F Minor | 4 | 4A | 95 BPM | ||
| Hot Honey | The Soul Agenda | A Major | 6 | 11B | 144 BPM | ||
| I Don't Want To Know | The John Martyn Project | F Minor | 5 | 4A | 109 BPM | ||
| Addicted - The Pool Sessions | Kat Eaton | E Minor | 6 | 9A | 98 BPM | ||
| Storm | Kapten | C Minor | 6 | 5A | 140 BPM | ||
| Reachin | Saltydog | A Major | 6 | 11B | 144 BPM | ||
| If You Ain't Got a Story | Secondhand Dreamcar | C Major | 3 | 8B | 70 BPM | ||
| White Noise | Di Natale | A Major | 6 | 11B | 144 BPM | ||
| Slingshot | Hanorah | G Minor | 2 | 6A | 74 BPM | ||
| Stuck | Biscay | G Major | 4 | 9B | 86 BPM |