Cuthead's ' "Scissorhands" was released on its scheduled release date, October 13, 2014. The duration of This song is about two minutes long, specifically at 2:54. This song does not appear to have any foul language. Scissorhands's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 18 in the song's album "Total Sellout". In this album, this song's track order is #4. Furthermore, we believe that the track originated from Germany. In terms of popularity, Scissorhands is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Scissorhands by Cuthead having a BPM of 96 with a half-time of 48 BPM and a double-time of 192 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
G Minor is the music key of this track. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Como Estan Bitches? | Souleance | E Minor | 6 | 9A | 160 BPM | ||
| Dope Remix Edit | Desmond Cheese | F Minor | 4 | 4A | 77 BPM | ||
| Pick Six | GILA | F Minor | 6 | 4A | 118 BPM | ||
| On My Own | Fantastic Mr Fox, Denai Moore | C Major | 4 | 8B | 149 BPM | ||
| Up To Rise | Session Victim | F♯ Major | 8 | 2B | 121 BPM | ||
| Just Better | Untitled Gear | C Major | 4 | 8B | 118 BPM | ||
| Right Now | Luvless | A♭ Minor | 6 | 1A | 113 BPM | ||
| Beef & Brocoli | digitalluc | C Major | 6 | 8B | 87 BPM | ||
| Lemon Nights | Uffe | B Major | 3 | 1B | 120 BPM | ||
| Lov for Eva | La Fine Equipe, Chomsk' | D♭ Major | 5 | 3B | 104 BPM | ||
| Jane | Max Graef, WAYNE SNOW | A♭ Minor | 4 | 1A | 70 BPM | ||
| Saints | Prequel | D♭ Minor | 5 | 12A | 125 BPM | ||
| Greenleaf | Duke Hugh | A Minor | 5 | 8A | 117 BPM | ||
| Love Is Gone | Guggenz | B♭ Minor | 5 | 3A | 86 BPM | ||
| Falling Star | Elaquent | A♭ Major | 6 | 4B | 87 BPM | ||
| Dubplate Special | Henry Wu | B Major | 5 | 1B | 114 BPM | ||
| Computer Pit | Pit Spector, Cuthead | B Major | 4 | 1B | 128 BPM | ||
| Basement L.O.V.E. | Motor City Drum Ensemble | D♭ Major | 5 | 3B | 112 BPM | ||
| Lost in the Streets of NYC | Tom Trago | B♭ Minor | 9 | 3A | 123 BPM | ||
| Papa Was (A Junky), Too | Betty Ford Boys | B♭ Minor | 6 | 3A | 88 BPM | ||
| What My Last Girl Put Me Through (There's Nothing I Can Do About It) - Nicolas Jaar Remix | Mike James Kirkland, Nicolas Jaar | B♭ Minor | 5 | 3A | 126 BPM | ||
| Kolido | Dauwd | D♭ Major | 6 | 3B | 124 BPM | ||
| Overly Dead | Subculture Sage | F♯ Minor | 6 | 11A | 102 BPM | ||
| Zubu | Cuthead | B♭ Minor | 6 | 3A | 119 BPM | ||
| Private Practice | Nick Monaco | A♭ Major | 3 | 4B | 121 BPM |