The Jayhawks's ' "Real Light" was released on its scheduled release date, February 14, 1995. The duration of This song is about 3 minutes long, at 3:25. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 36 in the song's album "Tomorrow The Green Grass (Legacy Edition)". In this album, this song's track order is #5. Furthermore, we believe that the track originated from United States. Based on our statistics, Real Light's popularity is below average in popularity right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Real Light by The Jayhawks having a BPM of 132 with a half-time of 66 BPM and a double-time of 264 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| My Before and After | Cotton Mather | A♭ Major | 9 | 4B | 113 BPM | ||
| Someone to Pull the Trigger | Matthew Sweet | C Major | 7 | 8B | 102 BPM | ||
| Beautiful World | Mudcrutch | D Major | 7 | 10B | 148 BPM | ||
| Meant to Be | Tommy Stinson | A Major | 7 | 11B | 107 BPM | ||
| III. Scenes From a Boxcar: I'm Not Bitter | The Minus 5 | F Major | 6 | 7B | 102 BPM | ||
| Somebody Remembers The Rose | Whiskeytown | G Major | 5 | 9B | 110 BPM | ||
| Yesterday Cried | Golden Smog | C Major | 5 | 8B | 69 BPM | ||
| I Miss You | The Honeydogs | F♯ Major | 5 | 2B | 107 BPM | ||
| Second Option | Caitlin Cary, Thad Cockrell | A♭ Major | 8 | 4B | 124 BPM | ||
| Tickled to Tears | Bash & Pop | A Major | 8 | 11B | 134 BPM | ||
| Short Side of Nothing | Los Lobos | C Major | 8 | 8B | 155 BPM | ||
| Waiting For The Sun | The Jayhawks | C Major | 6 | 8B | 177 BPM | ||
| Nobody - 2008 Remaster | The Replacements, Jay Healy | D Major | 6 | 10B | 131 BPM | ||
| So You Think You're In Love | Robyn Hitchcock & The Egyptians | E Major | 8 | 12B | 129 BPM | ||
| Knockin on Mine | Paul Westerberg | E Minor | 10 | 9A | 150 BPM | ||
| We've Been Had | Uncle Tupelo | G Major | 6 | 9B | 131 BPM | ||
| I Want You Bad | NRBQ, The Whole Wheat Horns | D Major | 8 | 10B | 144 BPM | ||
| Dice Behind Your Shades | Paul Westerberg | A Minor | 8 | 8A | 144 BPM | ||
| The Lucky One | Freedy Johnston | G Major | 4 | 9B | 104 BPM | ||
| Time Spent in Los Angeles | Dawes | A Major | 2 | 11B | 68 BPM | ||
| She's a Runaway | Bodeans | A Major | 6 | 11B | 136 BPM | ||
| Nation Of Shopkeepers | Graham Parker | B Major | 7 | 1B | 112 BPM | ||
| Someone Take the Wheel - 2008 Remaster | The Replacements, Jay Healy | A Major | 6 | 11B | 137 BPM | ||
| Put Down The Gun | Peter Case | A Major | 6 | 11B | 122 BPM | ||
| It's Only Money, Tyrone | Marah | A♭ Minor | 6 | 1A | 133 BPM |