On November 25, 2022, the song "Are Raja Are" was released by UMAKANT BARIK. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. Because this song is the only song in Are Raja Are and no other songs are present in the album, we classify this track as a single. Going off of the ISRC code of this track, we detected that the origin of this track is from Ireland. Based on our statistics, Are Raja Are's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Are Raja Are by UMAKANT BARIK is Allegro (fast, quick, and bright), since this song has a tempo of 134 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Kannada Naadige | K. Yuvaraj | F♯ Minor | 6 | 11A | 143 BPM | ||
| Laje Laje | Anuradha Paudwal | D♭ Major | 4 | 3B | 112 BPM | ||
| Jhuli Jhuli Asuchhe Maa Samalei | Satrughna Luha, Shailabhama | F♯ Major | 9 | 2B | 143 BPM | ||
| Jhumuri Raani Re | Sailabhama Mohapatra | B♭ Minor | 8 | 3A | 77 BPM | ||
| Yaad Laglaya Nathach Yaad Laglaya | Vijay Sartape | F♯ Major | 8 | 2B | 127 BPM | ||
| Adhe Rati Adhe Dina (From "Dharmara Heba Jay") | Sourav Nayak, Sailabhama Mohapatra | F♯ Major | 7 | 2B | 94 BPM | ||
| Nazar Konachi Lagali Aaj | Chetan Patil, PRAGATI ANGARKHE | E♭ Minor | 9 | 2A | 78 BPM | ||
| Re Daru Murati | Sachin Kumar Rout | D Major | 7 | 10B | 136 BPM | ||
| Jinbaku Chahinle | Suresh Wadkar, Sailabhama Mohapatra | A Major | 8 | 11B | 108 BPM | ||
| Heena Re I Love You | Old Sambalpuri | A Major | 9 | 11B | 81 BPM | ||
| Priya Lo Kemiti To Hrudaya | Kumar Bapi | A♭ Major | 9 | 4B | 81 BPM | ||
| Emiti A Jibana Hai | Sourav Nayak, Sailabhama Mohapatra | A♭ Major | 5 | 4B | 133 BPM | ||
| Kiye Tate Sajeila | Arun Mantri, Aparajita | F♯ Minor | 8 | 11A | 89 BPM | ||
| Akhi Tora Akhi Mui Rahijibi | Duleswar Tandi | B Minor | 8 | 10A | 81 BPM | ||
| Rahija E Megha Rahija | Subhasish Mahakud | A♭ Minor | 9 | 1A | 88 BPM | ||
| Mandap Ropan-Maro Mandavdo | Lalita Ghodadra | F Minor | 7 | 4A | 164 BPM | ||
| Asati Sajuchha Lela | Santanu Sahu | B Minor | 10 | 10A | 81 BPM | ||
| Hai Hai Hai Khal Kete Kumir | Udit Narayan, Priya Bhattacharya | C Major | 8 | 8B | 94 BPM | ||
| Kanheya Pagal Helana | Umakanta Barik | B♭ Minor | 10 | 3A | 110 BPM | ||
| Kaawar Kaawar | Chhaya Chandrakar | F♯ Major | 7 | 2B | 105 BPM | ||
| Aasu Ta Baa | Soham Chakraborty, Krushna Chandra, Swami Arup Nanda | G Minor | 2 | 6A | 147 BPM | ||
| Maa Ta Maa Mor Samalei | Santanu Sahoo | D♭ Minor | 8 | 12A | 174 BPM | ||
| Mun Chikni Chameli | Ira Mohanty, Satyajeet Pradhan | A♭ Major | 9 | 4B | 81 BPM | ||
| Mangav Talukyat | Sanchita Morajkar | G Minor | 6 | 6A | 82 BPM | ||
| Tor Sundri Muhu Sapan Dekhi | UMAKANT BARIK | G Major | 6 | 9B | 111 BPM |