Buddy Miller's ' "That's How I Got To Memphis" was released on its scheduled release date, January 1, 1995. The duration of This song is about 3 minutes long, at 3:22. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Your Love And Other Lies by Buddy Miller. The song's track number on the album is #3 out of 13 tracks. Based on our data, United States was the country where this track was produced or recorded. In terms of popularity, That's How I Got To Memphis is currently below average in popularity. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
Since That's How I Got To Memphis by Buddy Miller has a tempo of 103 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With That's How I Got To Memphis being at 103 BPM, the half-time would be 52 BPM with a double-time of 206 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
E Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Drinkin' Days | Slaid Cleaves | E Major | 4 | 12B | 126 BPM | ||
| 100 Miles To Go | Bob Delevante, Buddy Miller | F Major | 6 | 7B | 124 BPM | ||
| Mercury Blues | Jackson Browne & David Lindley | F♯ Minor | 7 | 11A | 159 BPM | ||
| Me Oh My | The Honeycutters | D♭ Major | 4 | 3B | 120 BPM | ||
| I Love That Girl | John Hiatt | A Major | 8 | 11B | 129 BPM | ||
| Goodnight Rhonda Lee | Nicole Atkins | C Major | 5 | 8B | 117 BPM | ||
| Dusty Old Man | Tift Merritt | E♭ Major | 7 | 5B | 120 BPM | ||
| Drunk And Lonesome (Again) | Southern Culture on the Skids | G Major | 6 | 9B | 121 BPM | ||
| Too Lazy To Work, Too Nervous To Steal | BR549 | A Major | 8 | 11B | 131 BPM | ||
| Back Being Blue | Kelly Willis | C Major | 4 | 8B | 95 BPM | ||
| Life is Fine | Tom Rush | E Major | 5 | 12B | 108 BPM | ||
| New Kid In Town | JD Souther | E Major | 5 | 12B | 108 BPM | ||
| Forever Has Come To An End | Buddy & Julie Miller | E Major | 3 | 12B | 145 BPM | ||
| Waymore's Blues | J.J. Cale | D Major | 5 | 10B | 145 BPM | ||
| Song For A Deck Hands Daughter | James McMurtry | C Major | 3 | 8B | 97 BPM | ||
| Three Chords and Truth | Lynn Miles | A♭ Major | 4 | 4B | 136 BPM | ||
| Looking for a Heartache Like You | Buddy Miller, Jim Lauderdale | E Major | 7 | 12B | 113 BPM | ||
| Out of the Snow - Remastered | Amazing Rhythm Aces | C Major | 4 | 8B | 110 BPM | ||
| Everybody's Missing the Sun | The Gourds | G Major | 6 | 9B | 122 BPM | ||
| That's All It Took - 1973 Live Version | Gram Parsons | B Major | 4 | 1B | 111 BPM | ||
| Wrote A Song For Everyone | Mavis Staples | F Major | 6 | 7B | 141 BPM | ||
| Dive Bar Sweetheart | Becky Warren | C Major | 7 | 8B | 118 BPM | ||
| Borderline | Eliza Gilkyson | E Major | 5 | 12B | 151 BPM | ||
| Bless Your Foolish Heart | Jesse Winchester | F Major | 5 | 7B | 92 BPM | ||
| My Lonely Sad Eyes | The Belfast Cowboys | G Major | 8 | 9B | 114 BPM |