STABBED IN THE FUCKING FACE
CHOP SHOP, Anatomize
WELCOME TO THE CHOP SHOP
2:30 May 9, 2025
BPM
100
Key
D♭ Major
Camelot
3B

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STABBED IN THE FUCKING FACE by CHOP SHOP, Anatomize Song Details

"STABBED IN THE FUCKING FACE" by CHOP SHOP, Anatomize had its release date on May 9, 2025. The duration of This song is about two minutes long, specifically at 2:30. This song does not appear to have any foul language. STABBED IN THE FUCKING FACE's duration is considered a little bit shorter than the average duration of a typical track. This song is part of WELCOME TO THE CHOP SHOP by CHOP SHOP, SUFFERING, Anatomize. The song's track number on the album is #4 out of 4 tracks. In terms of popularity, STABBED IN THE FUCKING FACE is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

Since STABBED IN THE FUCKING FACE by CHOP SHOP, Anatomize has a tempo of 100 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With STABBED IN THE FUCKING FACE being at 100 BPM, the half-time would be 50 BPM with a double-time of 200 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.

Music Key

D♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity
Loudness
-5.177 dB
Acousticness
0%
Danceability
31%
Energy
68%
Instrumentalness
1%
Liveness
78%
Loudness
91%
Speechiness
7%
Valence
16%

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ISRC
QZMHM2532820
Label
L-M Records/RCA Records