Angela Davis's 'Anti-Immigrant Rhetoric' had a release date set for 1999. With this song being around four minutes long, at 4:27, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 17 in the song's album "The Prison Industrial Complex". In this album, this song's track order is #9. Furthermore, we believe that the track originated from United States. Anti-Immigrant Rhetoric is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Anti-Immigrant Rhetoric by Angela Davis having a BPM of 75 with a half-time of 38 BPM and a double-time of 150 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 1/4.
A♭ Minor is the music key of this track. Which also means that the camelot key for this song is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Structural Racism and Prison | Angela Davis | A Minor | 2 | 8A | 98 BPM | ||
| We Shall Overcome | Martin Luther King, Jr. | D♭ Major | 6 | 3B | 90 BPM | ||
| Releasing the Burden of Unhappiness | Eckhart Tolle | C Major | 2 | 8B | 103 BPM | ||
| Fortune | Essien Majek | G Minor | 7 | 6A | 125 BPM | ||
| I Have A Dream | Martin Luther King, Jr. | A♭ Major | 4 | 4B | 174 BPM | ||
| Come My Side | Dondizzy | D♭ Major | 3 | 3B | 105 BPM | ||
| When Ure Heart Turns Cold | Sonia Sanchez | F Major | 3 | 7B | 87 BPM | ||
| Colossians 2:9-10 | His Words | D♭ Major | 8 | 3B | 81 BPM | ||
| My baby just called | Snow Shine | A♭ Major | 3 | 4B | 72 BPM | ||
| When we pray | Gurlt | A♭ Major | 3 | 4B | 72 BPM | ||
| Night Among Wolves - Part 07 | The Three ??? | F♯ Major | 8 | 2B | 91 BPM | ||
| Law Of Deliberate Creation | Esther Hicks & Jerry Hicks | G Minor | 4 | 6A | 57 BPM | ||
| Mood Lifting Insects | Angela Davis | A♭ Major | 3 | 4B | 72 BPM | ||
| Because I Could Not Stop for Death | Julie Harris | E Major | 0 | 12B | 77 BPM | ||
| Ephesians 6:17 | Charlene Graves | A♭ Major | 4 | 4B | 79 BPM | ||
| スタートアップ | HEART | G Major | 0 | 9B | 71 BPM | ||
| Understanding Self-Love | Fran Odunze | D♭ Major | 4 | 3B | 134 BPM | ||
| Capítulo 23.2 & Capítulo 24 & Capítulo 25 & Capítulo 26 & Capítulo 27.1 - Fale tudo em inglês | Disal Editora | F♯ Minor | 7 | 11A | 85 BPM | ||
| Slaughterhouse 5, Pt. 4 | Kurt Vonnegut | B♭ Major | 1 | 6B | 120 BPM | ||
| The Gettysburg Address | Orson Welles | B Major | 2 | 1B | 101 BPM | ||
| Desert Places | Robert Frost | G Major | 1 | 9B | 114 BPM | ||
| Long-Haired Boy | Shel Silverstein | D Major | 2 | 10B | 130 BPM | ||
| Dreams | Langston Hughes | D Major | 1 | 10B | 171 BPM | ||
| Deadbelly (with Steve Allen) | Jack Kerouac | F Major | 2 | 7B | 128 BPM | ||
| Genesis 1:26 | Charlene Graves | A♭ Major | 3 | 4B | 87 BPM |