"Moonlight in Vermont" by Gary Smith had its release date on November 6, 2019. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Gary Smith's "Moonlight in Vermont" album is number 2 out of 10. Based on our statistics, Moonlight in Vermont's popularity is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Moonlight in Vermont by Gary Smith to be Moderato (at a moderate speed) because the track has a tempo of 120 BPM, a half-time of 60BPM, and a double-time of 240 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Blue Streets and Coffee Steam | Mileson Trio | G Minor | 4 | 6A | 68 BPM | ||
| Blue Velvet | Strings Jazzsmith | D Minor | 0 | 7A | 67 BPM | ||
| Coctail Piano - Instrumental Version | New York Orchestra | B♭ Major | 1 | 6B | 100 BPM | ||
| Night Mooring | Croma Collective | D Major | 1 | 10B | 82 BPM | ||
| Ocean's Edge | Coastal Vibes | C Major | 2 | 8B | 120 BPM | ||
| The Sound of Staying | The Jazzlight Trio | G Minor | 4 | 6A | 68 BPM | ||
| Kindle Moss | Smooth Evening Jazz | F Major | 4 | 7B | 120 BPM | ||
| Taxi Ride Through Time | Saxo York | A Minor | 3 | 8A | 133 BPM | ||
| Upright | Alphatrio | B♭ Minor | 1 | 3A | 73 BPM | ||
| There Will Never Be Another You | Gary Smith | F Minor | 3 | 4A | 88 BPM | ||
| Keep Talking | Tom Bates | G Minor | 4 | 6A | 68 BPM | ||
| Rhythms And Thoughts | The Library | C Major | 3 | 8B | 116 BPM | ||
| Half a Tune | Barroom Sessions | A Minor | 2 | 8A | 192 BPM | ||
| Light Held Back | Croma Collective | G Minor | 4 | 6A | 68 BPM | ||
| The Days Of Wine & Roses | Gary Smith | D Minor | 3 | 7A | 62 BPM | ||
| Interval Training | Bossa Johnas | C Major | 0 | 8B | 141 BPM | ||
| Wild Hope | Tjazzy | G Minor | 4 | 6A | 68 BPM | ||
| Loft Conversations | RoofNote | G Major | 4 | 9B | 121 BPM | ||
| Before the City Wakes | Liza Pirelli Jazztet | G Minor | 4 | 6A | 68 BPM | ||
| Piston Stroke | Dex Harmon | G Minor | 4 | 6A | 68 BPM | ||
| Piano Dream 8 | Sirodzha Igor | G Minor | 1 | 6A | 100 BPM | ||
| Twin Souls | New Swing Orchestra, José Côrte-Real, Aniceto Toscano | E Minor | 2 | 9A | 85 BPM | ||
| Parkrow Signals | Fifth Bar | G Minor | 4 | 6A | 68 BPM | ||
| Afterglow Affairs | Midnight Riviera Club | C Minor | 3 | 5A | 100 BPM | ||
| My House | Henry Albert Trio | C Major | 1 | 8B | 64 BPM |