Mark Sharp & the Bicycle Thieves's ' "Today. Tomorrow. Forever." was released on its scheduled release date, August 25, 2023. The duration of This song is about 3 minutes long, at 3:09. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 13 in the song's album "Unmask The Circus". In this album, this song's track order is #10. Today. Tomorrow. Forever. is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Today. Tomorrow. Forever. by Mark Sharp & the Bicycle Thieves having a BPM of 83 with a half-time of 42 BPM and a double-time of 166 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Something or Nothing | The Lilacs | C Major | 9 | 8B | 154 BPM | ||
| Karen's Song | The Publics | B♭ Minor | 10 | 3A | 163 BPM | ||
| People Let You Down | Declan Welsh and The Decadent West | A Minor | 5 | 8A | 160 BPM | ||
| Always In My Head | Sleeping Together | C Minor | 8 | 5A | 120 BPM | ||
| It Won't Take Long | The Lathums | F Major | 8 | 7B | 150 BPM | ||
| Pop-up Superstar | King No-One | B Minor | 8 | 10A | 108 BPM | ||
| Fools | Mark Sharp & the Bicycle Thieves | C Major | 5 | 8B | 129 BPM | ||
| How Do I Get Back to Her | Dancing On Tables | D♭ Minor | 7 | 12A | 123 BPM | ||
| Comedown | Andrew Cushin | F♯ Major | 9 | 2B | 104 BPM | ||
| Codependence | The Cheap Thrills | C Major | 6 | 8B | 116 BPM | ||
| I Hope You're Satisfied | The Publics | D♭ Major | 9 | 3B | 110 BPM | ||
| Plead | Freeda | B♭ Minor | 9 | 3A | 130 BPM | ||
| Aftermath | Dylan Flynn and the Dead Poets | B Major | 8 | 1B | 155 BPM | ||
| Honey | Red Rum Club | C Minor | 8 | 5A | 150 BPM | ||
| Love In Transaction | The Reytons | B Minor | 9 | 10A | 175 BPM | ||
| Good Looking | The Bracknall | F♯ Major | 5 | 2B | 145 BPM | ||
| Only Sometimes | The Malakites | A Major | 9 | 11B | 120 BPM | ||
| The World Stopped Turning | Gathering of Strangers | B Minor | 8 | 10A | 126 BPM | ||
| Days Now | CUSP | B♭ Major | 10 | 6B | 178 BPM | ||
| Could I Live With Being Fake | Tom A. Smith | B♭ Major | 7 | 6B | 109 BPM | ||
| Cowboys Don't Cry | The Howlers | C Major | 9 | 8B | 124 BPM | ||
| Office Wear | The Avenues | F♯ Major | 5 | 2B | 145 BPM | ||
| Butlins | M60 | B Minor | 9 | 10A | 141 BPM | ||
| Hate the Player | The Clause | D♭ Major | 3 | 3B | 81 BPM | ||
| Uptown | Big Image | G Major | 9 | 9B | 111 BPM |