"Field Cry" by Sara Serpa, Ran Blake had its release date on May 26, 2015. The duration of This song is about two minutes long, specifically at 2:09. This song does not appear to have any foul language. Field Cry's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Sara Serpa & Ran Blake's "Kitano Noir" album is number 1 out of 16. On top of that, United States appears to be the country where this track was created. Based on our statistics, Field Cry's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Field Cry by Sara Serpa, Ran Blake to be Allegro (fast, quick, and bright) because the track has a tempo of 129 BPM, a half-time of 64BPM, and a double-time of 258 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Fuensanta | Xavi Torres, Fuensanta | G Major | 1 | 9B | 97 BPM | ||
| The Three of Us, Floating | Adam O'Farrill | A♭ Major | 3 | 4B | 135 BPM | ||
| Mane | Peder, Jenno | D Minor | 1 | 7A | 96 BPM | ||
| Haunted | Sophie Alour | D Major | 1 | 10B | 108 BPM | ||
| Vane | Hekura | E♭ Major | 1 | 5B | 73 BPM | ||
| Gratitude | Adrien Soleiman | A♭ Major | 3 | 4B | 135 BPM | ||
| The Boatman (Interlude) | Tigran Hamasyan | A♭ Minor | 1 | 1A | 63 BPM | ||
| Rip | Gerald Clayton, Justin Brown | F♯ Major | 0 | 2B | 131 BPM | ||
| Goodbye London | Maurizio Minardi, Shirley Smart, Nick Pini, Jason Reeve | C Major | 3 | 8B | 128 BPM | ||
| IMPROVISO I - A DANÇA DOS CAMIÕES / improvisation I - the dance of the trucks | Mário Laginha | A♭ Major | 3 | 4B | 135 BPM | ||
| Walkside | Julia Hülsmann Octet | A♭ Major | 3 | 4B | 135 BPM | ||
| It's Moving | Ty Citerman, Judith Berkson, Sara Serpa | B Minor | 1 | 10A | 101 BPM | ||
| interlude ii | Cassie Kinoshi, seed., NikNak, London Contemporary Orchestra | C Major | 6 | 8B | 86 BPM | ||
| Bonnie Be Good | Brian Blade & The Fellowship Band | D Major | 1 | 10B | 141 BPM | ||
| Point of no return | Thomas Fonnesbæk Trio, Thomas Fonnesbæk, Justin Kauflin, Billy Williams | C Major | 4 | 8B | 180 BPM | ||
| Thèmes d'amour en canon (5te) | Tom Bourgeois, Alex Koo, Lennart Heyndels, Théo Lanau, Vincent Courtois | A♭ Major | 3 | 4B | 135 BPM | ||
| El Eco de Un Tambor: 3. Variación #1 | Prism Quartet, Miguel Zenón | F Major | 1 | 7B | 79 BPM | ||
| Perché no | Doctor 3, Danilo Rea | E Major | 1 | 12B | 85 BPM | ||
| Came to Light | Skúli Sverrisson, Bill Frisell | G Major | 1 | 9B | 107 BPM | ||
| Yellow Trumpet | Owelu Dreamhouse | A♭ Major | 3 | 4B | 135 BPM | ||
| The House of Fun | João Lencastre, David Binney, Sara Serpa, Tiago Bettencourt | C Major | 3 | 8B | 96 BPM | ||
| girls make floating bubble | いろんなためいき | E Minor | 0 | 9A | 146 BPM | ||
| Birds Ascend | Ben Wendel | A♭ Major | 3 | 4B | 135 BPM | ||
| fall iii | Felbm | E♭ Major | 3 | 5B | 80 BPM | ||
| Honky Whale | Seán Mac Erlaine, Caoimhín Ó Raghallaigh | G Major | 2 | 9B | 114 BPM |