"Two Dialogues with Postscript: I. Wedding Waltz" by Valentin Silvestrov, Hélène Grimaud, Camerata Salzburg had its release date on September 29, 2022. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Valentin Silvestrov, Hélène Grimaud's "Hélène Grimaud plays Valentin Silvestrov" album is number 4 out of 7. On top of that, Germany appears to be the country where this track was created. The popularity of Two Dialogues with Postscript: I. Wedding Waltz is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Two Dialogues with Postscript: I. Wedding Waltz by Valentin Silvestrov, Hélène Grimaud, Camerata Salzburg to be Vivace (lively and fast) because the track has a tempo of 164 BPM, a half-time of 82BPM, and a double-time of 328 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
The music key of this track is D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 4 Postludes for Piano & String Orchestra: No. 3, Larghetto, con moto poco rubato | Valentin Silvestrov, Elisaveta Blumina, Stuttgart Chamber Orchestra, Thomas Sanderling | G Major | 0 | 9B | 75 BPM | ||
| Souvenir d'un lieu cher, Op. 42: No. 3 Mélodie | Pyotr Ilyich Tchaikovsky, Pablo Ferrandez, Julien Quentin | D Minor | 1 | 7A | 109 BPM | ||
| Mendelssohn: Song Without Words in D Major, Op. 109, MWV Q34 | Felix Mendelssohn, Jacqueline du Pré, Gerald Moore | D Major | 0 | 10B | 93 BPM | ||
| 6 Romances, Op. 6: No. 6, None but the Lonely Heart (Arranged for Violin & Orchestra by Joshua Bell) | Pyotr Ilyich Tchaikovsky, Joshua Bell, Michael Stern, Orchestra of St. Luke's | F Minor | 2 | 4A | 98 BPM | ||
| Pelécis : Concertino bianco for Piano in C major : I Con intenerimento | Georgs Pelēcis, Alexei Lubimov, Heinrich Schiff, Deutsche Kammerphilharmonie Bremen | C Major | 1 | 8B | 125 BPM | ||
| 6 Consolations, S. 172: No. 3 in D flat major (Lento, placido) | Franz Liszt, Nelson Freire | A♭ Major | 0 | 4B | 75 BPM | ||
| 5 Stücke im Volkston, Op. 102: No. 2, Langsam (Arr. Rot for Cello and Orchestra) | Robert Schumann, Kian Soltani, Camerata Salzburg, Gregory Ahss | F Major | 0 | 7B | 95 BPM | ||
| 3 Morceaux, Op. 11: I. Prelude in B Minor (arranged for cello and piano) | Anatoly Lyadov, Laura van der Heijden, Petr Limonov | E Minor | 0 | 9A | 88 BPM | ||
| Larghetto in G Major, Op. 11: I. Larghetto espressivo | Louis Ferdinand Von Preußen, Trio Parnassus, Thomas Selditz, Stanislau Anishchanka | B Major | 2 | 1B | 100 BPM | ||
| A Moorside Suite: II. Nocturne (Arr. P. Lane) | Gustav Holst, Royal Ballet Sinfonia, Gavin Sutherland | A Minor | 0 | 8A | 57 BPM | ||
| Mors et Vita: Judex | Charles Gounod, Richard Hickox Orchestra, Richard Hickox | C Minor | 1 | 5A | 95 BPM | ||
| Gli Uccelli: II. La Columba | Orchestra of the Swan, Victoria Brawn | F♯ Minor | 1 | 11A | 90 BPM | ||
| Materna Requiem: 6. Paradisum Interlude | Rebecca Dale, Royal Liverpool Philharmonic Orchestra, Clark Rundell | D♭ Major | 0 | 3B | 137 BPM | ||
| Suite in the Old Style (excerpts, Arr. for Cello and Piano J. Sévilla-Fraysse): III. Minuet | Alfred Schnittke, Julie Sévilla-Fraysse, Anastasia Calmus | A Minor | 0 | 8A | 92 BPM | ||
| L’art nouveau du chant appliqué, Vol. 3: No. 3, Beautiful Dreamer (After Foster) | Ronald Stevenson, Christopher Guild | E♭ Major | 0 | 5B | 65 BPM | ||
| Winter Meditation (after The Four Seasons, Violin Concerto, RV 297: II. Largo) | Antonio Vivaldi, Eldbjørg Hemsing, Hestia String Quartet | E♭ Major | 3 | 5B | 174 BPM | ||
| Bagatellen: II | Valentin Silvestrov | A Major | 0 | 11B | 67 BPM | ||
| Cello Sonata in A Minor: II. Lamento | Reynaldo Hahn, Steven Isserlis, Connie Shih | D Minor | 0 | 7A | 78 BPM | ||
| Bagatellen: XI | Valentin Silvestrov | E Major | 0 | 12B | 131 BPM | ||
| Blithe Bells, After BWV 208 | Percy Grainger, Hannes Minnaar | E Minor | 0 | 9A | 78 BPM | ||
| Miscellanea, Op. 16: 4. Nocturne in B-Flat Major | Ignacy Jan Paderewski, Nelson Freire | B♭ Major | 0 | 6B | 72 BPM | ||
| Stille Musik: I. Walzer des Augenblicks | Valentin Silvestrov, Munich Chamber Orchestra | A Minor | 0 | 8A | 60 BPM | ||
| Solveig's Song | Edvard Grieg, Yo-Yo Ma, Kathryn Stott | A Minor | 0 | 8A | 170 BPM | ||
| Lieder ohne Worte, Book 1, Op. 19b: VI. Andante sostenuto "Venetianisches Gondellied", MWV U78 | Felix Mendelssohn, Javier Perianes | G Minor | 0 | 6A | 75 BPM | ||
| Spiegel im Spiegel | Arvo Pärt, Viktoria Mullova, Liam Dunachie, Paavo Järvi, Estonian National Symphony Orchestra | F Major | 0 | 7B | 84 BPM |